ScreenSafe banner

Additional Departmental Roles + Small Crew Guidelines

Below are the updated guidelines for the ScreenSafe Health and Safety COVID-19 Toolkit – Department Roles. These guidelines are a best practice guide and have been created to support each department with their Health and Safety planning and to share with crew. These are intended to start each person and department thinking about how they will individually operate to fulfil the ScreenSafe Standards and Protocols as set out in main Health and Safety documents.

Here is the link to the UPDATED Department Roles below:

Casting, Post-Production, Stunts, Suppliers and Transport.

We are still working through guidelines for Actors, Directors and Safety Departments.

Special note: For those of you with smaller crews we have included small crew guidelines

We would like to give a special thank you to everyone who has contributed their time and expertise to the creation of these department roles.

Ministry of Social Development

The following scheme has just been announced, and may be of help to you and/or colleagues and friends.

COVID-19 Income Relief Payment

If you lose your job (including self-employment) from 1 March 2020 to 30 October 2020 due to COVID-19, you may be eligible for the COVID-19 Income Relief Payment. It’s available from 8 June 2020.

You can get up to 12 weeks of payments, to help with living costs after a sudden job loss, and give you time to find other work.

You can apply online for the Income Relief Payment from 8 June 2020. If you need support before this date, we may be able to help you with a benefit or other payments in the meantime.

Find out more from Work and Income.

View from the Top banner

Just when you thought we were all stuck in our ways, along came COVID-19. Now changes are flowing thick and fast to adapt to the brave new world this deadly virus has inflicted upon us.

The Resource Management Act is being given the flick to allow for shovel-ready infrastructure projects. Tourism operators are now having to give a toss about Kiwi tourists. (I’m surprised nobody has questioned yet whether we really want all those international tourists to return and put the strain back onto our environment and infrastructure.) The Australian and New Zealand governments are figuring out how to hold hands and sing kumbaya in a Trans-Tasman bubble. We might even have a new National Party leader by the end of the week.

Just look at the changes the NZ screen sector has gone through in two months. We have temporary Terms of Trade at NZFC that say, amongst other things, goodbye to the NZ theatrical distribution requirement and hello to a VOD platform. TVNZ is commissioning Maori and Pacific genre drama with its supernatural anthology RFP. Domestic production has all of a sudden become vitally important to crew.

South Pacific Pictures took the bit between its teeth and developed its own COVID Health & Safety (H&S) protocols signed off by WorkSafe to allow Shortland Street to get back up. We now have the WorkSafe-approved COVID Protocols and Standard thanks to the hard work of individuals from the Screen Industry Guild of Aotearoa (Techos), the NZ Advertising Producers Group and a number of others.

And the draft Screen Sector Strategy unleashed on us during the lockdown? Well after further ‘feedback’ it’s going through some additional ch-ch-changes as well.

But what’s happening out there in the big wide screen world? Iceland, South Korea and Sweden are already in production, with Iceland unveiling details on how international productions can get back up and running there with a special immigration channel and quarantine rules. Some Eastern European countries, which get a lot of US and UK runaway projects, are restarting with the Czech Republic and Poland leading the way.

The UK government is allowing film and TV production to restart. A coalition of Britain’s top platforms have published a guide for TV production, while The UK’s new protocols for film and high-end drama are expected at the end of May. In the US, though, production is still at a standstill. Directors Guild of America board member and Contagion director Steven Soderbergh has been put in charge of the guild’s efforts to address COVID. According to an article in the LA Times, it’s the guilds and the unions that will determine when production will start there.

Across the ditch, Neighbours is up and running and Wentworth is supposedly about to restart. The guilds there have been working hard on their COVID-19 H&S protocols and expect government sign off on them shortly.

Thankfully, Level 2 is allowing production in film and TV here to get going, so we’re in a good place. But there’s much further to go, and more changes that need to occur before we can have the New Zealand screen industry humming again. Each one of us has a part to play in making this happen, whether it’s helping to effect the changes necessary, or just washing our hands, maintaining social distance and staying home when sick.

As we head into this next phase of life under COVID, stay safe, stay well and remember you can call on us here at DEGNZ at any time. We will do our best to help you out.

Tui Ruwhiu
Executive Director

2020 DEGNZ Incubator

The Directors & Editors Guild of NZ is delighted to introduce the seven directors selected for the fourth DEGNZ Emerging Women Filmmakers Incubator:

Michelle Ang, Charlotte Evans, Pennie Hunt, Stella Reid, Rachel Ross, Jessica Grace Smith and Kathleen Winter

From June onwards, the directors will take part in five one-day workshops tailored to provide specific knowledge, networks, skills, and inspiration to enable them to advance themselves and their careers. The 2020 programme is organised by DEGNZ, facilitated by producer Philippa Campbell and made possible with the financial support of the New Zealand Film Commission. Philippa is an Emmy, Golden Globe and PGA award nominee as the producer of Jane Campion’s international hit television series Top of the Lake and Top of the Lake: China Girl.

We look forward to mentoring this talented group of filmmakers!

 

MICHELLE ANG is an Emmy and Logie nominated actress with work spanning New Zealand, Australia and the USA. She won Best Actress at the New Zealand Film Awards for My Wedding And Other Secrets. She has had the privilege of working with top directors such as Jane Campion, Jodie Foster, John Hillcoat and Steven Soderbergh. Her performances have been seen at festivals including Sundance, Cannes, Berlin. She produced her first feature For Izzy, attended the Sundance Director Lab 2018 and has directed music videos. She is currently in post-production for her self-funded short film NAI (Milk), which she wrote, directed and produced in Los Angeles. She was accepted into the MAP Screen Development Producer Training course and is working on creating a slate of projects.

Michelle Ang

CHARLOTTE EVANS is a Film Director based in Auckland, NZ. She started her film career in London in 2008 where she trained as a film editor for 2 years under the guidance of award-winning film editor Rick Waller. Charlotte has created music videos for a number of prominent artists such as Kimbra, Aldous Harding, Benee and Marlon Williams. In 2018 Charlotte’s directed an all-female team to create a film that commemorated 125 years of suffrage in New Zealand, with funding from NZ On Air. This project received an Honoree Webby Award, Silver at the NZCINE awards, Silver at Best Design Awards and Won Best Costume Design at NZTV awards. Four of Charlotte’s music videos made official selection at the Clipped Music Video Festival 2019. Recently Charlotte and her team of female filmmakers were selected for Loading Docs 2020 for their Short doco on Chlöe Swarbrick, who will also be the subject for a longer-form documentary. She is currently in production on a short doco about Rob Tennent and in development on a short film with comedians Hamish Parkinson and Brynley Stent.

Charlotte Evans

PENNIE HUNT is a writer and director based in Port Chalmers, Dunedin. She began making films during her nine years living and working in Germany with her shorts Earth, Hell, Heaven (financed by the Bavarian Film Commission) and Freakwave showing internationally including at Palm Springs, Hof and Aesthetica.

In 2016 Pennie returned to New Zealand and embarked on a Postgraduate Diploma in Filmmaking while working on her third short Milk. Funded by grants from Short Film Otago and the Dunedin City Council, as well as a successful crowdfunding campaign, Milk continues its run at festivals around the world.

With a slate of female-centric screenplays across several genres, Pennie is an accomplished storyteller. Her debut feature Riding Blind was the recipient of an Otago Southland Writer’s Residency and a NZWG Seed Grant in 2019.

Pennie Hunt

STELLA REID, wahine Pākehā, hails from Te Whanganui-A-Tara. A graduate of Toi Whakaari, Stella has won a Scotsman Fringe First, a Stage UK Acting Excellence Award, and was a 2019 nominee for Wellingtonian of the Year (Arts). Her NZ On Air, NZ Film Commission and The Body Shop funded short film, Drop Down Globe, which was a Someday Story, can be viewed on Māori Television OnDemand. A lifelong love affair with short stories has slowly developed into an anthology webseries, BURBS, of which she directed and wrote several episodes. The series, a love letter to Wellington, has tens of thousands of views on Youtube. Recently she has devised and performed in Small Ponds, a TV proof of concept, by Duncan Sarkies. Before lockdown she was the acting coach on the feature film Poppy, and developing a short film with writer Eamonn Marra for an anthology based on the book Headlands. She is looking ahead to being the Write Room Wellington Screenwriter Resident for 2020.

Stella Reid

RACHEL ROSS’ shorts credits include 2011’s Taylor receiving top mention in its category at Fort Lauderdale Film Festival, 2017’s NZIFF premiere and MIFF selection Have You Tried, Maybe, Not Worrying? and NZ Show Me Shorts Premiere and BAFTA-Qualifying Aesthetica for comedy piece Number Two. Rachel was selected for the 2017 Accelerator Lab in Melbourne with Have You Tried, Maybe, Not Worrying? Earlier in 2017 Rachel was the recipient of a 2017 New Zealand Film Commission’s Talent Development Grant. This $10,000 screenwriting grant enabled her to spend 8 weeks at the New York Film Academy developing her first feature screenplay.

In June 2019 Rachel was the recipient of the New Zealand Film Commission Grant, Catalyst He Kauahi. This grant dedicates $75,000 towards her short Green (on top of $8,000 Boosted funding) and $10,000 towards further script development for her feature Exhale. Rachel is now in post-production for Green and in development with Exhale.

Rachel Ross

JESSICA GRACE SMITH is a New Zealand actor, writer and director currently based in Auckland. Jessica graduated from Toi Whakaari in 2009 and over the past ten years acting she has observed many different directing styles. Of these she has integrated those which most resonated with her as a performer and storyteller in her own directing work. Her directorial debut, Everybody Else Is Taken (2017) won a Jury Award at the Academy-Award accredited Palm Springs International ShortFest and went on to screen at many festivals worldwide. Her second short FLIP (2019), funded by the NZFC, premiered at Toronto After Dark and just won an award (TBA) at ConCarolinas Short Film Festival in North Carolina. Her most recent work is Bondi Slayer, a Screen Australia funded digital series, shot on location in Sydney. Jessica has a passion for working on female driven projects, and makes a considered effort to approach women first when forming her crew.

Jessica Grace Smith

KATHLEEN WINTER is an independent filmmaker of Irish and Pākehā descent based in Te Whanganui-a-Tara, Wellington. She is a graduate of the New Zealand Film and Television School and Robin Laing Scholarship recipient.

Her short documentary and web-series work has centered politically challenging stories that reflect real lives and uplift communities.

Topics her recent work has explored include:

  • Takatāpuitanga and Pride spaces (in the short film He Kākano Ahau – From The Spaces In Between)
  • The experiences of women working minimum-wage jobs in Aotearoa (in the web-series Minimum, supported by NZOnAir for RNZ)
  • Colonisation and Pākehā responsibility (in the web-series Land of the Long White Cloud, supported by NZOnAir for The NZ Herald and RNZ).

She is interested in stories of gender and sexual diversity, local history and grassroots movements, nerd culture, tino rangatiratanga and re-indigenisation, working-class and women’s stories, and ultimately – revolution.

Kathleen Winter

Cliff Curtis

DEGNZ would like to express our deep gratitude to the Vista Foundation and Home & Family Counselling for providing DEGNZ members with this professional counselling offer.

The recent global pandemic has been particularly tough on the film industry. This collaboration has been created to provide support for the people of New Zealand’s film industry adversely affected by the ongoing social and commercial challenges.

Cliff Curtis, a Patron of the Vista Foundation, had recorded this video in support of the initiative:

 

What’s on offer?

Up to 5 one-hour sessions of counselling. This can be for yourself or a family member.

Who’s eligible?

Anyone who’s a member of the below organisations:

  • Directors and Editors Guild of New Zealand
  • New Zealand Writers Guild
  • Screen Industry Guild Aotearoa (Technicians)
  • Screen Composers Guild of New Zealand
  • Screen Production and Development Association (SPADA)
  • Women in Film & Television NZ (WIFT)
  • Ngā Aho Whakaari (Māori in Screen)
  • New Zealand Cinematographer’s Society
  • Stunt Guild of New Zealand
  • Equity New Zealand (Actors)
  • NZ Advertising Producer’s Group (NZAPG)
  • Pan Asian Screen Collective.

* Organisation and membership details will need to be provided to Home & Family Counselling.

Accessing this offer

To take up the Vista Foundation / Home and Family Counselling Offer, a client will make contact directly with Home and Family using this process:

  • Visit www.homeandfamily.org.nz/filmindustry/
  • Click Make An Appointment and telephone or (form) email Home & Family’s central (Mount Eden) or North Shore (Northcote) centres. (Do not use the Hibiscus Coast/Orewa option). If outside of Auckland, choose Central.
  • Once Home & Family makes contact, the client will need to advise their membership organisation and number.**
  • Home & Family will initiate the process of counselling including assigning a counsellor.

For DEGNZ members **

DEGNZ does not issue membership numbers, so members taking up this offer will need to provide your name and membership expiry date to Home & Family PLUS explain that DEGNZ members do not have a membership number. If it’s a family member utilising the counselling, the DEGNZ member name and expiry date will be needed to confirm the session(s). Your membership must be valid at the time of your appointment(s).

You will find your expiry date under the ‘Card’ tab when you sign in to Manage Your Account.

About The Vista Foundation

The Vista Foundation is a social responsibility initiative founded by Vista Group, a publicly listed New Zealand company comprising several businesses and a world leader in providing technology solutions to the global film industry.

A New Zealand-registered charity run by a board of six trustees and with Roger Donaldson and Cliff Curtis as patrons, the Vista Foundation aims to help nurture the continued growth and success of the New Zealand film industry.

The Foundation has put aside a sum to subsidise counselling sessions for film industry workers and their families. The Foundation will make a donation of NZ$50 to Home & Family for each one hour session sought and provided. The $50 subsidy will mean that a donation to Home & Family by the client is non-obligatory; to be clear, a client donation can be at any level dependent on affordability.

Visit https://vistafoundation.co.nz/ and www.linkedin.com/company/vista-foundation

About ‘Home & Family Counselling

Founded 126 years ago in 1893, today ‘Home & Family’ provides counselling to children, youths, individuals, couples and families. With high social services empathy and an obviously impressive track record of achieving positive outcomes for clients, Home & Family counselling is accessible to all in need. For clients, the cost of counselling at Home & Family is by donation and it is voluntary.

Home & Family is an Incorporated Society with charitable status. The organisation is led by an Executive Director supported by a Board of seven. New Zealand’s Governor General, currently Her Excellency, the Right Honourable Dame Patsy Reddy is the Patron of Home & Family.

Counselling is offered from centres in Mount Eden and Northcote in Auckland. (Under the lock-down terms of Covid-19, online or telephone counselling is working well).

Visit www.homeandfamily.org.nz

Full details about this initiative:

A Vista Foundation and Home & Family Counselling Initiative