DEGNZ Drama Editor Attachment Call for Applications

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DEGNZ

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our second DEGNZ Drama Editor Attachment. The successful candidate will attach to editor Annie Collins on feature film Coming Home in the Dark, directed by James Ashcroft.

Annie Collins has been editing film since 1975 and was the first independently trained editor in the country. Annie worked on the Lord of the Rings trilogy, and won awards for her editing work on Scarfies, Out of the Blue and Two Little Boys. More recently, she cut Tusi Tamasese’s Academy Award nominated feature One Thousand Ropes. Annie also has an extensive resume of documentaries, having edited such landmark productions as Patu! and The Neglected Miracle.

The DEGNZ Drama Editor Attachment initiative is targeted at editors who wish to move into feature film editing. Its purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience.
  • receive feedback and mentoring from an experienced feature film editor in a safe environment.

The opportunity for the attachment to get limited hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production.

This is a paid Wellington based attachment and requires the successful candidate to start on Monday 15 July 2019 in Wellington. If non-Wellington based, the candidate must cover their own travel and living costs. They are also required to be a Full member of DEGNZ for the duration of their attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first week is expected to be full time.

Eligibility

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting 15 July
  5. Most importantly, have a passionate desire to become a feature film editor

To Apply

Application Deadline: 9AM, Thursday 27 June 2019

Send your application in a single PDF to tema@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • your CV and filmography, including links to a showreel/video samples that illustrate your dramatic narrative work
  • a completed Editor Attachment Application Cover Sheet.

Download the Editor Attachment Application Cover Sheet

 

DEGNZ will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

 

This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Urgent Call for Applications: Drama Editor Attachment

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DEGNZ

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our first DEGNZ Drama Editor Attachment to editor Paul Sutorius on a telefeature about to go into production directed by John Lang.

Paul Sutorius is an highly experienced award-winning editor whose career spans feature films (Home By Christmas), documentary (Aspiring) and TV drama (800 Words, Until Proven Innocent). He is a longtime collaborator of director Gaylene Preston, beginning with Ruby and Rata in 1990, which won him a NZ Film and Television Award, and most recently My Year with Helen.

 

This initiative is targeted at editors who wish to move into feature film editing. It’s purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience
  • receive feedback and mentoring from an experienced feature film editor in a safe environment

The opportunity for the attachment to get hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production. This opportunity may be limited due to the fast post-production pace required of this particular production.

This is a paid attachment and requires the successful candidate to start on 19 March 2018 in Auckland. They are also required to be a full member of DEGNZ to secure the attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first two weeks from 19 March are expected to be full time.

 

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting 19 March
  5. Most importantly, have a passionate desire to become a feature film editor

 

TO APPLY

Please send your application in ONE PDF or Word DOC to admin@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Application Deadline: 5PM Wednesday 7 March 2018

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • a completed Editor Attachment Application Form Cover Sheet. Download it here
  • your CV and filmography, including links to existing work

We will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

 

This initiative has been made possible with the support of the New Zealand Film Commission.

Director Regan Hall Scores Directing Role on Ash vs Evil Dead

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For Immediate Release

29 May 2017

Directors & Editors Guild of NZ (DEGNZ) member and director Regan Hall has directed one episode in Season 3 of STARZ Network’s Ash vs Evil Dead (AVED) television series following his attachment to the series in 2015.

“I was excited to helm an episode of this fantastic cult franchise, which included shooting an epic fight scene, a gruesome demon, and loads of witty one-liners. Rob Tapert and his team have been very supportive, and I thank STARZ, the NZFC, and the DEGNZ for the foot in the door,” said Hall.

“During Season 1 of AVED we worked with the DEGNZ to offer several director attachments including to the 2nd Unit and stunt departments. Any of those directors would have been great to have on the show. We are happy to be able to give this opportunity to Regan and support talented New Zealand directors,” said Tapert.

“We are thrilled to see another of the attachment initiatives we have been involved with bear fruit with Regan directing on AVED,” said Executive Director Tui Ruwhiu. “Few Kiwis get the opportunity to direct on high budget US drama and this is a great coup for our TV drama strategy.”

Hall was one of five New Zealand directors with New Zealand Film Commission and STARZ support who attached to the first AVED series in 2015. He is the first of the attachments to gain employment on the show.

Hall directed his first feature film Fast Girls in the United Kingdom in 2012 following a successful career as a director in advertising, fashion and music.

Ash vs Evil Dead is a half-hour American horror-comedy television series from executive producers and The Evil Dead original filmmakers Sam Raimi, Rob Tapert and Bruce Campbell for the STARZ premium cable network. It’s executive produced in New Zealand by producer Rob Tapert, who has been behind many of the US TV network shows made here, including Spartacus, Legend of the Seeker, Xena: Warrior Princess, and Hercules: Legendary Journeys. AVED is currently in production and is made in Auckland, primarily at a number of studio locations around the city.

ENDS

For further information contact:

Tui Ruwhiu

Executive Director

Directors & Editors Guild of NZ

tui@degnz.co.nz

+64 21 659 950

 

Regan Hall

New Zealand filmmaker Regan Hall premiered his debut feature film Fast Girls in 2012.  The Olympic-themed all-girl sports drama, a co-production between the BFI and Studiocanal, received strong reviews during its 370-screen UK release.

Hall grew up in Auckland, New Zealand, the son of successful fashion designers.  He developed a passion for film as a teenager and after graduating from NZ’s top film school went on to work as a film editor in Wellington, home to Peter Jackson’s Weta workshop.

In 2000 he moved to London and began creating films for the advertising, fashion and music industries.  He has become renowned for producing and directing high-profile fashion films for clients that include Dolce and Gabbana, Revlon, and Swarovski – recently working on commercials for fashion photographer Mario Testino.

In 2010 he won multiple awards for his short film 3 Hours. The all-Iraqi war drama told the true story of a mass shooting in Baghdad.  Premiering at Doha Tribeca, it went on to screen in over forty international festivals.

About Starz

Starz (www.starz.com), a Lionsgate company (NYSE: LGF.A, LGF.B), is a leading global media and entertainment company that provides premium subscription video programming on domestic U.S. pay television networks and produces and distributes content for worldwide audiences, including its investment in the STARZ PLAY Arabia OTT service.  Starz is home to the flagship STARZ® brand with 24.3 million subscribers in the United States as of December 31, 2016, with the STARZ ENCORESM network at 31 million subscribers. Starz provides high-quality, entertaining premium subscription video programming with 17 premium pay TV channels and associated on-demand and online services, including the STARZ app. Sold through U.S. multichannel video distributors, including cable operators, satellite television providers, telecommunications companies, and other online and digital platforms, Starz offers subscribers more than 5,000 distinct premium television episodes and feature films every year and up to 1,500 every month, including STARZ Original series, first-run movies and other popular movie and television programming.

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.

DEGNZ is a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.

Internationally, we work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

 

Contact Details:

Directors & Editors Guild of NZ

Level 2, 66 Surrey Crescent

Grey Lynn

P.O. Box 47-294, Ponsonby

Auckland

+64-9-360-2102

admin@degnz.co.nz

www.degnz.co.nz

www.facebook.com/degnz

www.linkedin.com/in/degnz

@degnz_online

HELENA BROOKS FOLLOWS DEGNZ DIRECTOR’S ATTACHMENT WITH DIRECTING ROLE ON 800 WORDS

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 22 March 2017

Directors & Editors Guild of NZ (DEGNZ) member and director Helena Brooks has taken up a two-episode directing role on the third series of South Pacific Pictures’ (SPP) Channel 7 TV drama production 800 Words, following the successful conclusion of her DEGNZ TV Drama Director Attachment on SPP’s The Brokenwood Mysteries.

“The recent DEGNZ director’s attachment was an excellent way to learn how drama operates at SPP,” Helena Brooks said. “During the attachment I directed a couple of days on Brokenwood Mysteries, which led to 2nd unit directing on Westside. I was then asked to direct a block of 800 Words, which I’m really looking forward to. SPP is like a finely tuned instrument with a big family vibe and I really love being amongst it.”

Brooks will direct one block (two episodes) of 800 Words starting in April, and will see those episodes through post production.

“We are ecstatic that our TV Drama Director initiative has resulted in Helena moving onto fulltime directing of drama,” said Executive Director of DEGNZ Tui Ruwhiu.

“We are extremely pleased to add Helena to our roster of directors, and we applaud both the DEGNZ and NZ On Air for their support of the directors attachment initiative,” CEO of South Pacific Pictures Kelly Martin said.

“Helena’s success is heartening. I’d like to congratulate Helena on her achievements to date and hope we will see many more drama productions directed by her in the future,” said NZ On Air Chief Executive Jane Wrightson.

800 Words is a 24 x 1-hour comedy drama series produced by South Pacific Pictures and Seven Productions. The series premiered in Australia in September 2015 and quickly became the #1 drama on Australian television as well as topping the Tuesday night primetime ratings. 800 Words also premiered in New Zealand on TV One in late 2015. Erik Thomson plays George, a man who used to skate through life but who is now stumbling. When his wife dies suddenly, George makes a rash decision to move his two teenaged kids away from the big smoke of Sydney to the picturesque town of Weld in New Zealand. All he wants to do is make a fresh start but it seems that everyone – his kids, the townspeople, the universe – have other ideas. This is a Seven and South Pacific Pictures production created by James Griffin (Outrageous Fortune, The Almighty Johnsons) and Maxine Fleming (Being Eve, Outrageous Fortune). Season Two of 800 Words is currently screening on Channel 7 in Australia and in New Zealand on TVNZ One.

The TV Drama Attachment initiative is an industry professional development activity funded by NZ On Air and the production company involved and managed by DEGNZ. It is intended to give emerging drama directors the opportunity to shadow an experienced director through the pre-production, production and post-production process as a means to improve their craft skills.

ENDS

For further information contact:

Tui Ruwhiu
Executive Director
Directors & Editors Guild of NZ
tui@degnz.co.nz
+64 21 659 950

Abigail Greenwood Gets Second Director’s Attachment With Filthy Productions

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The Directors & Editors Guild of NZ, NZ On Air and Filthy Productions are thrilled to announce actor and director Abigail Greenwood as the TV Drama Director Attachment on the Filthy Rich TV series.

“Impressed by the strength of Abigail’s application, we looked at attaching two directors to Dirty Laundry last year” said Steven Zanoski from Filthy Productions.

When other commitments arose, we immediately thought of Filthy Rich, should a second season eventuate, believing Abigail a good fit with the show.”

Abigail attaches to experienced director Michael Duignan, whose past credits include Mighty Morphin Power Rangers, The Blue Rose, Agent Anna, and the first series of Filthy Rich. She has joined the production this month as they get underway in Auckland. Filthy Rich is produced by Steven Zanoski for Filthy Productions Ltd.

“I’m really excited to watch this very successful team do what they do so well, and stoked to be shadowing Michael Duignan, who I admire for his bold and inventive directing style,” said Abigail Greenwood.

It’s such a privilege to be given an internship as a director, so huge thanks to DEGNZ and Filthy Productions for this amazing opportunity.”

“We are delighted to again support an up and coming woman director to develop her skills under the mentorship of an experienced director, in the hope that we can see more women directing content for our screens in future,” said NZ On Air Chief Executive Jane Wrightson.

“Abigail brings her signigicant experience as an actor and her directing success with short films including Eleven, which was selected for the Berlin International Film Festival to the attachment,” said DEGNZ Executive Director Tui Ruwhiu.

“She is one of a number of talented early-career women directors coming to the fore and we are thrilled she has this opportunity to further her directing experience.”

Filthy Rich tells the story of three illegitimate children who discover they each have a claim to the fortune of one of NZ’s wealthiest men, John Truebridge. With so much money on the line, John’s legitimate family will do anything to stop these new, unexpected heirs! This Filthy Productions 14 x 1-hour drama is in its second series on TV One.

The DEGNZ TV Drama Director Attachment Scheme is now in its second year and Abigail has secured the sixth director attachment through this initiative, funded by NZ On Air and the production company involved and managed by DEGNZ. It is intended to give emerging drama directors the opportunity to shadow an experienced director through the pre-production, production and post-production process as a means to improve their craft skills. There is also an opportunity to direct one or more scenes during their attachment, at the discretion of the series producer and episode director.

The scheme has seen four women and two men attach to New Zealand dramas with Matthew Saville on Screentime’s Bombshell: The Sinking of the Rainbow Warrior, Aidee Walker on South Pacific Pictures’ (SPP) Westside, Helena Brooks on their Brokenwood Mysteries, and Cathy MacDonald on SPP’s Shortland Street, while Jamie Lawrence attached to Filthy Production’s Dirty Laundry.

Ends

 

For further information, please contact:

Tui Ruwhiu
Executive Director
Directors & Editors Guild of NZ
tui@degnz.co.nz
021-659-950

 

Abigail Greenwood is an award winning theatre director and filmmaker from Auckland, New Zealand. Over the last ten years she has been working as a director, actor and production and costume design assistant in New Zealand film, theatre, and television.

 

Abigail’s first short film received international acclaim, participating in international festivals including Berlinale 2014 and Melbourne International Film Festival 2014. The film won Best Short Film at the Rialto Channel NZ Film Awards 2014, and Abigail was awarded for Distinctive Creative Achievement as a Director in the New Zealand International Film Festival ‘NZ’s Best’ competition 2014.

Abigail has worked as a co-ordinator and assistant to Kirsty Cameron on The Hopes and Dreams of Gazza Snell, Lovebirds, Sione’s Wedding 2, The Weight of Elephants, Field Punishment No. 1, Slow West, and recently The Rehearsal.

Abigail’s acting credits include Brave Donkey (short film), Piece of My Heart (telefeature), and Outrageous Fortune (TV series).

Theatre directing credits include collaborative works The Height of the Eiffel Tower (New York Fringe Festival 2010, Silo Theatre, Edinburgh Fringe 2014), and Nick (Edinburgh Fringe 2013), as well as And Then You Die by Thomas Sainsbury and Cow by Jo Randerson for Auckland Theatre Company’s Young and Hungry.

 

Filthy Productions Ltd is a production company recently set up by Rachel Lang, Gavin Strawhan and Steven Zanoski. The company’s focus is production based, with a philosophy that the best television drama and comedy is always driven by the creatives. Productions to date are Filthy Rich and Dirty Laundry, both for Television New Zealand.

 

Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

 

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • are a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • Internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

 

Contact Details:

 

Directors & Editors Guild of NZ

Level 2, 66 Surrey Crescent

Grey Lynn

P.O. Box 47-294, Ponsonby

Auckland

+64-9-360-2102

admin@degnz.co.nz

www.degnz.co.nz

www.facebook.com/degnz

www.linkedin.com/in/degnz

@degnz_online