DEGNZ

DEGNZ invites emerging drama editors to apply for a Drama Editor Attachment to editor Dan Kircher on feature film Millie Lies Low, directed by Michelle Savill, and produced by Desray Armstrong and Angela Littlejohn.

The DEGNZ Drama Editor Attachment Scheme gives emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Dan Kircher is a film editor whose feature film credits include The Changeover, directed by Miranda Harcourt and Stuart McKenzie, and Ant Timpson’s Come To Daddy. At the 2014 Rialto Channel New Zealand Film Awards, he was nominated twice for Best Editor for Everything We Loved and The Dead Lands. He has also cut short films, web series and commercials.

Millie Lies LowWhen a broke and anxiety-ridden architecture grad misses her flight to New York for a prestigious internship, she decides to fake having made it to New York, while lying low in her home town, scrounging for another ticket.

This attachment would suit an experienced assistant editor/editor who has dramatic narrative editing experience on short film, web series, drama or features. The successful candidate will likely have a body of narrative work. The initiative is targeted at editors who want to progress their career into feature film editing.

Its purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience.
  • receive feedback and mentoring from an experienced feature film editor in a safe environment.

The opportunity for the attachment to get limited hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production.

This is a paid Auckland-based attachment and requires the successful candidate, depending on experience and flexibility, to start at the earliest in mid-March. If non-Auckland based, the candidate must cover their own travel and living costs.

The duration of the attachment would be up to a maximum of 20 full days broken down into a mixture of full days and half days over the shoot and post production period. The final schedule will be determined in discussions with the production team and successful candidate.

Eligibility

To be eligible, applicants MUST:

  1. Be a FULL member* of DEGNZ by the application deadline. The successful candidate is also required to be a Full member for the length of their attachment
  2. Be a NZ citizen or permanent resident
  3. Be fully competent with the AVID editing system

* Refers to Full Members on Tiers 1, 2 and 3.

To Apply

Application Deadline: 9AM, Monday 24 February 2020

Send your application in a single PDF to admin@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • your CV and filmography, including links to a showreel/video samples that illustrate your dramatic narrative work
  • a completed Editor Attachment Application Cover Sheet.

Download the Editor Attachment Application Cover Sheet

 

Selection will be made by the production. DEGNZ will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

 

This attachment is brought to you with the generous support of the New Zealand Film Commission.

DEGNZ

Brendon Chan has been selected as the attachment to editor Peter Roberts on feature film Juniper as part of the Directors & Editors Guild of NZ’s ongoing Drama Editor Attachment Scheme.

Brendon ChanBrendon entered post production in 2010 as an assistant editor, where he worked on feature films, such as Born to Dance, Hunt for the Wilderpeople and Black Christmas.

He made the leap to editing full time in 2017, working across a broad range of television, web and film content. His work includes Associate Editor on Turbo Kid, Additional Editor on 6 Days and Assembly Editor on Do No Harm.

I’m really stoked about being selected for the drama attachment. I’m looking forward to closely examining the feature film editing process from assembly to locked cut, particularly the creative collaborations that take place between Editors, Directors and Producers,” said Brendon. “I’m also excited to observe Peter’s very genuine approach to storytelling and collaboration up close.”

Brendon begins his attachment in February.

The DEGNZ Drama Editor Attachment Scheme was initiated to give emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor. Recipients learn through attendance during editing and later, at director, producer and/or funding body screenings, about the critique and response process so vital to the successful creative collaboration required of the feature film editor. The scheme is made possible thanks to funding from the New Zealand Film Commission.

Juniper is directed by Matthew Saville, produced by Desray Armstrong and Angela Littlejohn and edited by Peter Roberts. On returning home from boarding school, a self-destructive teenager discovers his gin-soaked grandmother has moved in. A battle of wills ensues which enables him to embrace life again, and her to face her own mortality.

DEGNZ is excited to be able to offer a third member of the Guild a Drama Editor Attachment on a New Zealand feature-length film. Previous attachment recipients are Rotorua-based editor Lea McLean who is currently completing her attachment to Annie Collins on Coming Home in the Dark, and Anastasia Doniants to editor Paul Sutorius on telefeature A War Story.

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our third DEGNZ Drama Editor Attachment. The successful candidate will attach to editor Peter Roberts on feature film Juniper, directed by Matthew Saville, and produced by Desray Armstrong and Angela Littlejohn.

Since relocating from the United Kingdom, Peter Roberts has made his mark in New Zealand as an editor. Roberts found his editing niche at TVNZ, before a prolific freelance career saw him cutting a string of documentaries, shorts, and features — including award-winning drama The Dark Horse. In 2013 he became the first editor to be elected President of the Directors and Editors Guild of New Zealand. Peter’s other credits include Sam kelly’s feature Savage, due for release in NZ in 2020 following its world premiere in 2019 at the Busan International Film Festival; hit NZ – Aus. TV drama series Cleverman; telefeature Jean, helmed by Rob Sarkies; and Bryn Evans directed feature doc. Hip Hop-eration.

The DEGNZ Drama Editor Attachment initiative is targeted at editors who wish to move into feature film editing. Its purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience.
  • receive feedback and mentoring from an experienced feature film editor in a safe environment.

The opportunity for the attachment to get limited hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production.

This is a paid Auckland-based attachment and requires the successful candidate depending on experience and flexibility to start at the earliest in February 2020. If non-Auckland based, the candidate must cover their own travel and living costs. They are also required to be a Full member of DEGNZ for the duration of their attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first week is expected to be full time.

Eligibility

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting in February
  5. Most importantly, have a passionate desire to become a feature film editor

To Apply

Application Deadline: 5PM, Friday 17 January 2020

Send your application in a single PDF to admin@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • your CV and filmography, including links to a showreel/video samples that illustrate your dramatic narrative work
  • a completed Editor Attachment Application Cover Sheet.

Download the Editor Attachment Application Cover Sheet

DEGNZ will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

This attachment is brought to you with the generous support of the New Zealand Film Commission.

 

DEGNZ

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our second DEGNZ Drama Editor Attachment. The successful candidate will attach to editor Annie Collins on feature film Coming Home in the Dark, directed by James Ashcroft.

Annie Collins has been editing film since 1975 and was the first independently trained editor in the country. Annie worked on the Lord of the Rings trilogy, and won awards for her editing work on Scarfies, Out of the Blue and Two Little Boys. More recently, she cut Tusi Tamasese’s Academy Award nominated feature One Thousand Ropes. Annie also has an extensive resume of documentaries, having edited such landmark productions as Patu! and The Neglected Miracle.

The DEGNZ Drama Editor Attachment initiative is targeted at editors who wish to move into feature film editing. Its purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience.
  • receive feedback and mentoring from an experienced feature film editor in a safe environment.

The opportunity for the attachment to get limited hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production.

This is a paid Wellington based attachment and requires the successful candidate to start on Monday 15 July 2019 in Wellington. If non-Wellington based, the candidate must cover their own travel and living costs. They are also required to be a Full member of DEGNZ for the duration of their attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first week is expected to be full time.

Eligibility

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting 15 July
  5. Most importantly, have a passionate desire to become a feature film editor

To Apply

Application Deadline: 9AM, Thursday 27 June 2019

Send your application in a single PDF to tema@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • your CV and filmography, including links to a showreel/video samples that illustrate your dramatic narrative work
  • a completed Editor Attachment Application Cover Sheet.

Download the Editor Attachment Application Cover Sheet

 

DEGNZ will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

 

This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC

DEGNZ

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our first DEGNZ Drama Editor Attachment to editor Paul Sutorius on a telefeature about to go into production directed by John Lang.

Paul Sutorius is an highly experienced award-winning editor whose career spans feature films (Home By Christmas), documentary (Aspiring) and TV drama (800 Words, Until Proven Innocent). He is a longtime collaborator of director Gaylene Preston, beginning with Ruby and Rata in 1990, which won him a NZ Film and Television Award, and most recently My Year with Helen.

 

This initiative is targeted at editors who wish to move into feature film editing. It’s purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience
  • receive feedback and mentoring from an experienced feature film editor in a safe environment

The opportunity for the attachment to get hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production. This opportunity may be limited due to the fast post-production pace required of this particular production.

This is a paid attachment and requires the successful candidate to start on 19 March 2018 in Auckland. They are also required to be a full member of DEGNZ to secure the attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first two weeks from 19 March are expected to be full time.

 

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting 19 March
  5. Most importantly, have a passionate desire to become a feature film editor

 

TO APPLY

Please send your application in ONE PDF or Word DOC to admin@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Application Deadline: 5PM Wednesday 7 March 2018

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • a completed Editor Attachment Application Form Cover Sheet. Download it here
  • your CV and filmography, including links to existing work

We will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

 

This initiative has been made possible with the support of the New Zealand Film Commission.