DEGNZ Drama Editor Attachment Call for Applications

, ,
DEGNZ

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our second DEGNZ Drama Editor Attachment. The successful candidate will attach to editor Annie Collins on feature film Coming Home in the Dark, directed by James Ashcroft.

Annie Collins has been editing film since 1975 and was the first independently trained editor in the country. Annie worked on the Lord of the Rings trilogy, and won awards for her editing work on Scarfies, Out of the Blue and Two Little Boys. More recently, she cut Tusi Tamasese’s Academy Award nominated feature One Thousand Ropes. Annie also has an extensive resume of documentaries, having edited such landmark productions as Patu! and The Neglected Miracle.

The DEGNZ Drama Editor Attachment initiative is targeted at editors who wish to move into feature film editing. Its purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience.
  • receive feedback and mentoring from an experienced feature film editor in a safe environment.

The opportunity for the attachment to get limited hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production.

This is a paid Wellington based attachment and requires the successful candidate to start on Monday 15 July 2019 in Wellington. If non-Wellington based, the candidate must cover their own travel and living costs. They are also required to be a Full member of DEGNZ for the duration of their attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first week is expected to be full time.

Eligibility

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting 15 July
  5. Most importantly, have a passionate desire to become a feature film editor

To Apply

Application Deadline: 9AM, Thursday 27 June 2019

Send your application in a single PDF to tema@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • your CV and filmography, including links to a showreel/video samples that illustrate your dramatic narrative work
  • a completed Editor Attachment Application Cover Sheet.

Download the Editor Attachment Application Cover Sheet

 

DEGNZ will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

 

This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Oscar-Nominated and Emmy Award-Winning Editor to Mentor Peter O’Donoghue

,

The Directors & Editors Guild of NZ (DEGNZ) is thrilled to announce Peter O’Donoghue as the recipient of our 2017 International Editor Mentorship with Oscar-nominated and Emmy Award-winning American documentary editor Doug Blush.

“I’m thrilled at the prospect of working with someone as prolific and talented as Doug,” said O’Donoghue. “His output is gargantuan and his passion for the craft is truly invigorating. Needless to say I plan to squeeze all I can from this great opportunity.”

“I’m very excited to work with Peter O’Donoghue,” said Blush. “We immediately bonded, talking about our mutual appreciation for great storytelling in documentary and challenging and pushing the genre to try new techniques and ideas in editorial and much more.”

Peter is well known for his work with NZ director Florian Habicht. Their first film together was Land of the Long White Cloud in 2008. Their 2011 co-written feature film Love Story (shot in New York) won Best Film, Best Director (Florian) and Best Editor (Peter) at the 2011 New Zealand Film & Television Awards. Their 2014 collaboration – Pulp: a Film about Life, Death and Supermarkets is a UK production showcasing the iconic Brit-pop band Pulp, their enigmatic front man Jarvis Cocker, and their roots in the northern industrial town of Sheffield. Peter was again co-writer and editor. The film had its world premiere at SXSW 2014 in Austin, Texas, and has played in numerous festivals since. It won Best Music Film at the NME 2015 Music Awards in London. Their latest co-written effort is documentary feature Spookers, completed In September 2016.

Doug is an award winning documentary director, editor, cinematographer, and writer who has edited a wide range of major theatrically released documentaries, including crossword puzzle culture Wordplay, the national debt crisis I.O.U.S.A., the hypocrisy of closeted gay politician in Outrage, corporate David and Goliath battles in Beer Wars, and the adaptation of the popular book Freakonomics. He recently was co-writer and editor of the Sundance 2011 Premiere documentary These Amazing Shadows, and consulting editor for the Sundance 2011 Competition documentary Troubadours, as well as executive producer and co-editor of Superheroes in the 2011 Slamdance Documentary Competition and on HBO. In 2012, The Invisible War, which he edited and associate produced with director Kirby Dick, won the Sundance Audience Award and was nominated for an Oscar for Best Documentary.

“Doug and Peter seemed like the ideal match for a mentorship, with each being at major points in their careers,” said Tui Ruwhiu, Executive Director of DEGNZ. “We are excited to see where Peter goes with the knowledge, expertise and career advice that Doug brings in documentary filmmaking.”

The mentorship is an industry professional development initiative funded by the New Zealand Film Commission and managed by DEGNZ. The overall intention of the International Editor Mentorship is to inspire a promising New Zealand editor and demystify the international film industry. The experience offers genuine insight into creative process and engagement with the industry as a whole, while providing a solid platform upon which to build an international career.

Ends

For further information, please contact:
Tui Ruwhiu
Executive Director
Directors & Editors Guild of NZ
tui@degnz.co.nz
021-659-950

Peter O’Donoghue is an award-winning editor / filmmaker from NZ based in Sydney, Australia. He has been working in film and television since 2006 on projects in Australia, New Zealand, China, Japan, the U.S. and the UK.
With a background originally in music and writing, picture editing has now become Peter’s main passion – where storytelling, rhythm, atmosphere, music and sound all come together to bring the most out of a project’s vision and material. He also works as a screenwriter and has directed one long-form documentary and two short dramas.
In 2012-2013 Peter was editor on ABC Australia’s landmark documentary series First Footprints (broadcast July/August 2013), produced and directed by Bentley Dean and Martin Butler. As well as co-editing the ABC series with Tania Nehme, his work included a cut down of the 4 episodes to a 2-ep version for Arte France and a 90 minute festival version.
From 2011 to 2013, Peter directed and edited the 52-minute documentary Happy Everyday: Park Life in China, an upbeat reflection on self-censorship among retirees in the closely monitored public spaces of Beijing and Shanghai. The film was financed by South Australia Film Corporation and released in July 2013. It is represented by broadcast sales agent PBS International.
In 2014 Peter worked as co-editor on Chris Pryor and Miriam Smith’s new documentary feature The Ground We Won., about the exploits of a rural NZ rugby team. The film opened theatrically in NZ in May 2015 amid glowing reviews.

Doug Blush A.C.E. is an award-winning director, producer, editor, writer and cinematographer who has worked on over fifty feature documentaries and TV programmes, and has been nominated five times for Best Editing at the Sundance Film Festival.
Doug’s recent credits include the Oscar-winning theatrical hit 20 Feet From Stardom, directed by Morgan Neville, which won him an ACE Eddie Award for Best Documentary Editing. Doug was editor and associate producer of 2012’s Academy Award nominated and double Emmy Award winning The Invisible War, directed by Kirby Dick, and worked with the same team on the Oscar-shortlisted film The Hunting Ground. His latest films as supervising editor include The Music of Strangers and Jim, which won the Audience Award at Sundance 2016 and aired on HBO.
He also co-directed Of Two Minds with wife Lisa Klein, which won both the 2013 EIC Prism and SAHMSA Voice Awards for excellence in films on mental health issues. He is working on a follow-up film with Lisa, The S Word, highlighting the rising activism of suicide survivors against silence and stigma.
Doug has been a visiting professor at the USC School of Cinematic Arts, Syracuse University and Malaysia Multimedia University, and has taught across Indonesia with the Sundance Institute.

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.
DEGNZ’s two primary roles are advocacy and professional development. We:
• are dedicated to promoting excellence in the arts of directing and editing.
• foster collegiality and unity within the screen industry.
• promote members’ creative and economic rights.
• work to improve industry working conditions and remuneration.
• offer professional advice and information on contracts and industry standards and practice.
• offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
• are a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
• internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).
DEGNZ is Auckland-based with an office in Grey Lynn.
Contact Details:
Directors & Editors Guild of NZ
Level 2, 66 Surrey Crescent
Grey Lynn
P.O. Box 47-294, Ponsonby
Auckland
+64-9-360-2102
admin@degnz.co.nz
www.degnz.co.nz
www.facebook.com/degnz
www.linkedin.com/in/degnz
@degnz_online

Call for Applications: International Documentary Editing Mentorship with Doug Blush

,

Doug BlushThe Directors & Editors Guild of NZ (DEGNZ) invites applications from mid-career editors with significant documentary experience to apply for an International Editor’s Mentorship with award-winning American editor Doug Blush.

Doug Blush is an award-winning director, producer, editor, writer and cinematographer who has worked on over fifty feature documentaries and TV programmes, and has been nominated five times for Best Editing at the Sundance Film Festival.

Doug’s recent credits include the Oscar-winning theatrical hit 20 Feet From Stardom, directed by Morgan Neville, which won him an ACE Eddie Award for Best Documentary Editing. Doug was editor and associate producer of 2012’s Academy Award nominated and double Emmy Award winning The Invisible War, directed by Kirby Dick, and worked with the same team on the Oscar-shortlisted film The Hunting Ground. His latest films as supervising editor include The Music of Strangers and Jim, which won the Audience Award at Sundance 2016 and aired on HBO.

He also co-directed Of Two Minds with wife Lisa Klein, which won both the 2013 EIC Prism and SAHMSA Voice Awards for excellence in films on mental health issues. He is working on a follow-up film with Lisa, The S Word, highlighting the rising activism of suicide survivors against silence and stigma.

Doug has been a visiting professor at the USC School of Cinematic Arts, Syracuse University and Malaysia Multimedia University, and has taught across Indonesia with the Sundance Institute.

This is an exciting opportunity for a New Zealand editor with proven talent to benefit from collegial advice and international support as they move to the next stage of their career. You need to be a FULL member of DEGNZ to apply.

Click here for a full list of Doug’s credits.

To apply, please provide:

  1. A maximum one-page letter about why you should be chosen and what you hope to gain from the mentorship.
  2. A CV.
  3. Up to 3 examples online of past work (not showreel).
  4. Your DEGNZ membership number.
  5. It is preferred that you have a project that you wish to discuss with Doug as part of the mentorship. Please include brief details on the project.

Only FULL DEGNZ members may apply. If you are not a member and wish to join, you can do so here: www.degnz.co.nz/join/
Applications should be submitted electronically to admin@degnz.co.nz no later than 5pm, Wednesday 12 October.

This initiative is brought to you with the support of the New Zealand Film Commission.

DEGNZ Announces Successful Applications for Women Filmmakers Incubator

,

The Directors & Editors Guild of New Zealand (DEGNZ) is delighted to announce the ten emerging women directors who will participate in its inaugural Women Filmmakers Incubator. They are:

  • Catherine Bisley
  • Nathalie Boltt
  • Abigail Greenwood
  • Kirsty Hamilton
  • Cathy MacDonald
  • Renae Maihi
  • Zoe McIntosh
  • Niki Si’ulepa
  • Yamin Tun
  • Aidee Walker

“After much debate, the experienced industry selection panel chose ten applicants who it felt were at the right stage of their careers to get the maximum benefit from the content the Incubator offers,” said Executive Director of DEGNZ Tui Ruwhiu.

“We look forward to assisting these talented women towards their first feature films, and helping to address the gender inequality that is reflected in the poor statistics of New Zealand women at the directing helm of feature film in this country.”

The Incubator is a targeted initiative designed to give emerging female directors the opportunity to build their knowledge, skills and networks as a means to advance their careers and projects in the screen industry.

Each workshop in the programme will bring in highly successful filmmakers and experts in a stepped approach that will develop participants’ confidence and capability to engage with the screen industry as they seek to get their own projects through development and into production.

The workshop series will start in Auckland in September 2016 and run through to the winter of 2017.

This initiative is supported with financial assistance from the New Zealand Film Commission.

ENDS

For further information, please contact:

Tui Ruwhiu

Executive Director

Directors & Editors Guild of NZ

tui@degnz.co.nz

021-659-950

The New Zealand Film Commission invests in original and culturally significant films, encourages talented New Zealand filmmakers through developing career pathways and facilitating connections offshore, and works to increase the number of people seeing New Zealand films here and overseas.  It supports the growth of economic activity and helps ensure New Zealand has sustainable screen sector businesses operating within an internationally competitive screen sector.  The NZFC also helps negotiate co-production treaties and certifies co-productions and New Zealand films for tax purposes. www.nzfilm.co.nz

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • is a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • Internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

Contact Details:

Directors & Editors Guild of NZ

Level 2, 66 Surrey Crescent

Grey Lynn

P.O. Box 47-294, Ponsonby

Auckland

+64-9-360-2102

admin@degnz.co.nz

www.degnz.co.nz

www.facebook.com/degnz

www.linkedin.com/in/degnz

@degnz_online

Helena Brooks Attaches to SPP’s Brokenwood Mysteries

,

10 June 2016

The Directors & Editors Guild of NZ (DEGNZ), NZ On Air and South Pacific Pictures Limited (SPP) are extremely pleased to announce DEGNZ member and director Helena Brooks as the TV Drama Director Attachment on an episode of series three of The Brokenwood Mysteries.

Brooks, who is already underway on the show, attaches to one of New Zealand’s most experienced drama directors, Mark Beesley.

“It’s really interesting being deep amongst a telefeature in production and shadowing one of the masters, Mark Beesley,” Brooks said. “He’s extremely generous with his knowledge and I’m learning a truck-load about every aspect of long-form directing. South Pacific Pictures has been very welcoming and I’m pumped about the opportunity.”

“The Directors’ attachment program is a fantastic initiative from DEGNZ and NZ On Air and South Pacific Pictures is pleased to continue its support of it,” said SPP CEO Kelly Martin. “Helena Brooks is a talented director with an impressive body of work to her name and we are pleased to have her on board.”

“As shown in our recent Diversity Report, we need more women in drama directing roles. Professional development opportunities such as this are a logical way to develop more women into these roles. We wish Helena well in this attachment,” said Jane Wrightson CEO of NZ On Air.

Brooks comes to The Brokenwood Mysteries with a strong background in TV commercials and a highly successful short film, Nothing Special, to her credit—it was selected for amongst others the Cannes and Berlin film festivals.

“We are delighted that another talented DEGNZ member gets the chance to increase their knowledge and experience with fast-turnaround TV drama,” said Executive Director of DEGNZ Tui Ruwhiu. “We greatly appreciate the commitment South Pacific Pictures is showing to this initiative.”

The Brokenwood Mysteries is a series of two-hour murder mystery stories set in a seemingly quiet country town where the town’s newest resident, Detective Mike Shepherd, finds that murder lurks in even the most homely location. Each telefeature in the series is a standalone story, which sees the show’s two lead police officers trying to solve a murder case.

Brooks is the fourth DEGNZ director member to benefit from the TV Drama Attachment Initiative. Started in 2015, the initiative has seen actor and director Matthew Saville attach to director Ric Pellizarri on Screentime’s telefeature Bombshell: The Sinking of the Rainbow Warrior, actor and director Aidee Walker shadow director Michael Hurst on SPP’s Westside series, and director Jamie Lawrence join director Peter Burger on Filthy Productioins’ series Dirty Laundry.

The TV Drama Attachment initiative is an industry professional development activity funded by NZ On Air and the production company involved and managed by DEGNZ. It is intended to give emerging drama directors the opportunity to shadow an experienced director through the pre-production, production and post-production process as a means to improve their craft skills.

Ends

For further information, please contact:

Tui Ruwhiu
Executive Director
Directors & Editors Guild of NZ
tui@degnz.co.nz
021-659-950