DEGNZ is excited to present a workshop with director Rob Sarkies for South Island-based directors on November 28 – 29. Rob will outline his process and encourage participants to develop processes specific to them.


About Rob Sarkies

Rob Sarkies

Credit: Matt Grace Photography

Wellington-based, but a South Islander at heart, Rob works across feature films, series television and commercials. His work includes acclaimed feature Out of the Blue about the Aramoana shootings, Consent based on Louise Nicholas’s fight for justice, Jean about aviator Jean Batten, black-buddy-comedy Two Little Boys, Wanted, The Gulf and NZ classic Scarfies.

Process! Process! Process!

This will be a practical workshop that will take participants through Rob’s film-making process from development to shoot and examine how process can be adapted from project to project.

The workshop will cover:

  • Development process (how to avoid ‘development hell’ or at least ensure your project comes out the better at the end of it)
  • Process leading to production (script prep, visual prep, storyboards, casting process)
  • Pre-Production (rehearsal process, binding your collaborators to the same vision)
  • Practical process on set (scene blocking, working with cast, working with your DP)

A workshop full of practical hints to help you control the beast of a feature film rather than having it control you.

Workshop Details


When:

Saturday 28 November 2020, 9am – 5pm
Sunday 29 November 2020, 9am – 4pm

Where:

In Christchurch – venue TBC

And virtually on Zoom Meetings for those who cannot attend physically. Virtual participants will be able to interact with the tutor and moderator.

Price:

DEGNZ member – Free
Non-member attending Christchurch – $110*
Non-member attending Zoom – $80*

Lunch and refreshments provided for participants attending Christchurch.

*Discounted due to COVID-19. Normal Regional price $145

To Apply

The Guild invites directors based in the South Island to apply as there are limited spaces. Applicants should, ideally, have at least some directing experience on a short film/in other screen content OR production/crew experience. If you have a question, please get in touch.

STEP 1: Complete the application form below.

STEP 2: Send in one PDF to tema@degnz.co.nz:

  • Your filmography with a short bio or CV, and
  • a brief, maximum 1-page letter that tells us why you would like to participate and what you hope to gain from the workshop.

Application Deadline: 1PM, Monday 16 November 2020

Late or incomplete applications will not be accepted.

Application Form

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Cancellation and payment policies

 


This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Supported by Screen CanterburyNZ

Screen CanterburyNZ logo

DEGNZ invites directors to join us for a one-day Wellington workshop, taught by Jennifer Te Atamira Ward-Lealand, on best practices for directing on-screen intimacy.

In Directing In the Intimate Zone, we will discuss and work with actors on the process of developing scenes that involve intimacy, nudity and/or simulated sex, developed by UK intimacy coordinator Ita O’Brien and based on Equity NZ’s Intimacy Guidelines for Stage and Screen. The workshop will also look at directing intimacy in the COVID-19 era.

There are four places for directors to participate, as well as places for directors to observe.

During the class, Participant Directors will take turns to direct pairs of actors in intimate scenes under Jennifer’s guidance. Participant Directors upon selection will each be invited to submit a short, intimate scene – either with or without dialogue – for consideration ahead of the workshop.

About Jennifer Ward-Lealand

Jennifer Ward-LealandSince training at Auckland’s influential Theatre Corporate, Jennifer has worked extensively in theatre, film, television, musical and radio for 40 years. One of New Zealand’s most recognisable acting talents and a respected theatre director, she has taught for The Actors’ Program, Toi Whakaari, UNITEC, Te Pou and NASDA.

Jennifer is currently President of Equity New Zealand, Patron of Q Theatre, and serves as a trust board member of The Actors Benevolent Fund. She was named SPADA Industry Champion in 2018 and in 2019 given a Women of Influence (Arts & Culture) Award. In the 2019 New Year’s Honours List she received a CNZM, Companion of the NZ Order of Merit for services to theatre, film and television and is this year’s New Zealander of the Year. Jennifer is a trained intimacy coordinator under the mentorship of Ita O’Brien, Intimacy on Set (UK).

Workshop Details

When: Sunday 15 November 2020, 9am – 5pm

Where: RANDOM, 43 Hanson Street, Mount Cook, Wellington 6021

Price:
DEGNZ member – Free
Non-member – $75 (discounted due to COVID-19. Normal price $95)

Lunch and refreshments provided.

Eligibility:

This workshop is R18.

To be eligible to apply as a Participant Director:

  • You must have experience directing at least short films/dramatic content.
  • Priority will be given to those who are actively engaged in directing or preparing to direct narrative drama, especially if you are dealing with scenes of nudity, intimacy and/or simulated sex.

To Apply

To register as an Observer, complete the registration form below.

To apply as a Participant Director, complete the registration form below and email your supporting documents to tema@degnz.co.nz before the registration deadline:

  • a CV/bio with filmography
  • a brief letter summarising why you would like to participate as a director, what you hope to gain from the workshop, and any experience directing intimacy (not a requirement for selection).

If you apply as a Participant and are unsuccessful, you will receive an offer to attend as an Observer.

Late or incomplete applications will not be accepted. 

Registration Deadline: 1PM, Thursday 5 November 2020

Registration Form

 

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Cancellation and payment policies



This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

The 3rd round of the 2020 Table Reads opens today. Open to writer-director teams and solo writer/directors from around Aotearoa who are members of DEGNZ and the New Zealand Writers Guild. Enter the draw with your feature film script and you could win a free online table read with up to six professional actors to help you with your next rewrite!

We would also like to hear from New Zealand actors interested in taking part. For information on how to submit a script or register as an actor, head over here.

The Assistant Editor is the heart and engine of Editorial. They coordinate with all other production departments and post houses, and set workflow systems in place that will keep the production running smoothly from the very beginning to the final delivery. Experienced assistants are worth their weight in gold. An Editor working alone without adequate knowledge of technical workflow requirements may become an expensive liability by the end of post.


Call for Applications

Directors & Editors Guild of NZ is pleased to present the Assistant & Solo Editors Course in 2020, a comprehensive course of 4 workshops covering the technical knowledge and skills needed to run all aspects of Editorial through the complete workflow, from pre-production to delivery. The Guild welcomes applications for this course to be held on consecutive Sundays from September 13 to October 4.

The workshops are specifically designed for emerging assistant editors (with at least two productions they’ve assisted or cut), and solo editors working without an assistant (any number of productions) who wish to move into more complex productions. Both drama and documentary (containing archival) will be covered.

The workshops will deal both with key skills considered minimum requirements for setting up a well functioning Editorial – setting up projects, ingesting and full preparation for the editor – and with more advanced skills – setting up systems, workflow meetings, departmental interfacing, VFX, trouble-free handovers and troubleshooting issues when they arise.

These are hands-on workshops moving right through a project workflow, each day of the workshop builds on the skills of the previous day(s) in a cumulative layering of knowledge and skills. Prospective participants will need to commit to the full course.

Up to 14 participants will be selected.

Course Requirements

Both Avid and Premiere practitioners are invited, however, please be aware that the bulk of the workshops will be carried out on Avid Ultimate with some sessions dedicated to Premiere. You will need:

  • a working knowledge of Avid – this is not an Avid tutorial nor a beginners entry course into the industry.
  • Premiere practitioners will also need an Adobe ID to access Premiere on the South Seas system.

Workshop Details

Price: Course offered at discounted rates due to the COVID-19 pandemic (normal non-member price – $360)

DEGNZ Full member – Free
DEGNZ Associate/Student member – $100
Non-member – $200

Lunch and tea/coffee provided

When: Sundays from 9:30am – 4:30pm

13 September
20 September
27 September
4 October

Where: South Seas Film and Television School, 75 Ellice Rd, Glenfield, Auckland

Travel allowances are available – see below.

Our Tutors

Dan Best

DAN BEST has 25 years experience in Film and Television. He spent 14 years working as an Editor, Director and Producer for Television. The last 13 years have been spent working in film as a Post Production Supervisor, Editor, Assistant and VFX Editor, including 1st Assistant Editor on Steven Spielberg’s The Adventures of Tintin, Peter Jackson’s The Hobbit trilogy, and more recently as 1st Assistant / VFX Editor on Mortal Engines and Post Production Supervisor on They Shall Not Grow Old. He is currently engaged as VFX Editor on The Lord of the Rings television series. Dan is highly valued as a very experienced Editorial Manager and with these huge and varied productions behind him there is little he has not handled in his career to date.

Dione Chard

DIONE CHARD has worked as an assistant editor and editor in both New Zealand and Canada over the past 12 years. She cut her first feature film Stray in 2017 and more recently she’s cut All or Nothing: A Season with the All Blacks for Amazon and Vai with Brown Sugar Apple Grunt Productions. As an assistant she’s worked on many varied productions from ABC’s Legend of the Seeker to Disney sitcom Mr Young, telefeature Jean and the STARZ series Ash vs Evil Dead.

Supporting Tutors

ANNIE COLLINS – Editor since 1975
ANU WEBSTER – VFX Editor & First Assistant Editor since 2008
BEN SINCLAIR – Sound Designer & Composer since 2000
DAN KIRCHER – Editor since 2008 (Adobe Premiere)
TRISTAN SIMPSON – Conform DMC Supervisor & DCP Specialist since 2008

Questions?

If selected to attend, DEGNZ Full members may apply for financial assistance of up to $1000 incl. GST towards their travel costs, equivalent to up to $250 per workshop.

  • DEGNZ has up to 3 travel allowances available for this course.
  • Applicants must live in New Zealand outside the Auckland region.

For further information and criteria, see here.

Yes, you can still apply if you participated in either/both of the Assistant Editors – Mandatory Skills Workshop or the Assistant Editors – Advanced Skills Workshop.

However, you will need to include in your letter why you think you would benefit from doing this course. The Assistant & Solo Editors Workshops is a revised format, covering most of what was taught in these two earlier workshops.

If you have further questions, please contact us.

To Apply

Application Deadline: 9AM, Wednesday 26 August

STEP 1: Complete the application form below.

STEP 2: Send in one PDF to tema@degnz.co.nz:

  • your CV (with filmography)
  • a brief, maximum 1-page letter that tells us why you would like to participate and what you hope to gain from the workshop.

Late or incomplete applications will not be accepted.

 

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This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Table Reads Round 2 Call

Calling writer-director teams and solo writer/directors from around New Zealand!

Enter the draw with your feature film script and you could win a free online table read to help you with your next rewrite.