Jennifer Ward-Lealand

Directing In the Intimate Zone

Call for Applications.

Until now, many directors have given little thought to directing actors in scenes that involve intimacy, nudity and simulated sex. This needs to be addressed, as these scenes can make actors feel extremely vulnerable, particularly when this sensitive area of performance is not given the preparation and care it is due.

The Directors & Editors Guild of NZ encourages members of the Guild to apply for our one-day workshop on directing intimacy with Jennifer Ward-Lealand Te Atamira.

In this workshop, we will discuss and work with actors on the process of developing an intimate scene for the screen using the best practice guidelines developed by UK intimacy coordinator Ita O’Brien, who was brought over by Equity to run training workshops in Auckland late last year.

There are four places for directors to participate and up to 14 places for directors to observe.

Participant Directors upon selection will each be invited to submit a short, intimate scene – either with or without dialogue – for consideration ahead of the workshop. During the class, Participant Directors will take turns to direct and co-direct pairs of actors in intimate scenes under Jennifer’s guidance.

When: Sunday 10 March 2019, 9am – 5pm

Where: MTG RM, 2 Kingsland Terrace, Kingsland, Auckland
A travel allowance may be available to selected Participant Directors travelling from outside the Auckland region.

Cost: Free
Light refreshments provided.

About Jennifer Ward-Lealand

Since training at Auckland’s influential Theatre Corporate, Jennifer has worked extensively in theatre, film, television, musical and radio for over 35 years. Jennifer is one of New Zealand’s most recognisable acting talents and a respected theatre director. She has taught for The Actors’ Program, Toi Whakaari and NASDA.

Jennifer is currently President of Equity New Zealand, Patron of Q Theatre, and serves as a trust board member of The Actors Benevolent Fund. In the 2007 New Years Honours List, she was named an Officer of the New Zealand Order of Merit for services to theatre and the community. She was given the SPADA Industry Champion award in 2018 and in the New Year’s Honours List was made a CNZM, Companion of the NZ Order of Merit for services to theatre, film and television.

Eligibility to Apply:

This workshop is R18.

If you apply as a Participant and are not selected, you will be considered for a place as an Observer.

Participant Directors:

  • You must be a DEGNZ member.
  • You must have experience directing at least short films/dramatic content, and are working in/moving into longer-form drama/film.

Observer Directors:

  • You must be a DEGNZ member.
  • Preference will be given to those who are actively engaged in directing or preparing to direct narrative drama, especially if you are dealing with scenes of nudity, intimacy, and/or simulated sex.

To Apply

Application Deadline: 3PM, Friday 22 February 2019

STEP 1: Sign in below and submit the form.

STEP 2: You will be redirected to the File Upload page, which can also be found here. Upload your application file(s) in PDF. Submit before the deadline:

  • a CV/bio with filmography
  • a brief, maximum one-page letter summarising why you would like to participate/observe, what you hope to gain from the workshop, and any experience directing intimacy (not a requirement for selection).

Late or incomplete applications will not be accepted.

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This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Table Reads Logo

First 2019 Table Read Now Open for Applications

Applications open today for the first 2019 Table Read.

A core cast – max six actors – together with a writer+director team OR writer/director will collaborate on each script-in-development table read. The script must have a director attached and have been through a development process.

Four Table Reads per year on Saturdays @NZWG HQ in Grey Lynn.

2019 Table Reads

Table Read #1

Open: 21 January
Close: 15 February
Table Read: Sat 23 February

Table Read #2

Open: 15 April
Close: 10 May
Table Read: Sat 18 May

Table Read #3

Open: 8 July
Close: 2 August
Table Read: Sat 10 August

Table Read #4

Open: 21 October
Close: 15 November
Table Read: Sat 23 November

A Joint Initiative brought to you by:
NZWG, DEGNZ & EQUITY Foundation
With warm thanks to the New Zealand Film Commission

How to Submit a Script

DEGNZ and NZWG members are invited to apply for the script component.

Submit a full-length draft feature film script for your name to go into the draw for a day-long table read (names remain for subsequent draws).

WRITER + DIRECTOR* (OR WRITER/DIRECTOR) – Submit script via email to GuildHQ@nzwg.org.nz – Please check these details before you enter:

*Both must be a member(s) of NZWG and DEGNZ:

  • A solo Writer/Director must be a member of both NZWG and DEGNZ.
  • In a Writer-Director team, the Writer must be a member of NZWG, AND the Director must be a member of DEGNZ.

When you enter, please include this information:

  • name of writer, and if they belong to NZWG
  • name of director, and if they belong to DEGNZ

Actors: Call for Applicants for Table Read #1

We are looking for actors to work together with writers and directors on a script-in-development table read. Actors must be members of Equity New Zealand.

Actors, please register your interest below and the NZWG will contact you if you are cast. You will receive a Prezzy card as a nominal appreciation for your participation.

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Directing Actors workshop

Call for Applications: Directing Actors Workshop with Ian Hughes

DEGNZ is now accepting applications for a one-day Directing Actors Workshop in Wellington with highly experienced actor and director Ian Hughes.

Ian HughesIan Hughes’ breakthrough role was in acclaimed TV series and movie Topless Women Talk About Their Lives. Topless was followed by multiple TV guest parts (Xena, Bliss, The Brokenwood Mysteries, Go Girls) and film roles (He Died with a Felafel in His Hand, Memory and Desire). He wrote, starred and directed in his own Kafkaesque short, The Waiting Room, and toured his acclaimed one-man play Ship Songs.

Ian has worked with many of New Zealand’s top directors including Niki Caro, Peter Jackson and Michael Hurst, and is now primarily a TV and commercials director himself, with work on Step Dave and nearly 300 episodes of Shortland Street.

The class shall explore a range of principles, tools and techniques that address issues that arise in casting, rehearsal and shooting. Ian will help directors increase their confidence and creativity when working with actors.

The workshop has ten places and is aimed at emerging directors with some directing experience. Prospective participants may be developing projects for Fresh Shorts, Premiere Pathways, or with features in funded development.

Selected participants will be required to do a bit of prep before the workshop.

When: Saturday 1 December, 9.30am – 5.30pm
Where: The New Zealand Film and Television School, 86 Vivian St, Wellington

A travel allowance may be available to some DEGNZ members travelling from outside of the Wellington Region.

Cost: DEGNZ members – Free, Non-members – $100. Lunch provided.

To Apply

Application Deadline: 3PM, Thursday 22 November 2018

STEP 1: Submit the form below.

STEP 2: You will be redirected to the File Upload page, which can also be found here. Upload your application file(s) in PDF or Word Document. Submit before the deadline:

  • your CV/filmography with links to examples of your work
  • a brief, maximum one-page letter on why you would like to attend and what you hope to gain from the workshop

Late or incomplete applications will not be accepted.

 

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This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Assistant Editors - Mandatory Skills

Call for Applications: Assistant Editors – Mandatory Skills Workshop

Call for Applications

Directors & Editors Guild of NZ is pleased to present Assistant Editors – Mandatory Skills, a new workshop designed for assistant editors in Aotearoa. The Guild warmly invites applications for this 2-day workshop to be held on 8-9 December.

A well trained Assistant Editor is worth their weight in gold…ask any editor. Ask an editor how many good assistants they know and they might fish up two or three names – that’s all.

This is a hands-on workshop for technically-minded Avid practitioners, and new assistant editors alike. It recognises the distinct and essential role that assistant editors play in post production – across feature, documentary and television projects – and will focus on the essentials you need to excel in that role.

The workshop will outline key skills considered mandatory minimum requirements for assistant editors, from setting up projects, ingesting and full preparation for the editor, to workflow meetings and troubleshooting issues when they arise.

Prospective participants should have a basic knowledge of Avid Media Composer. Up to 14 participants will be selected.

When:
Saturday 8 December, 9am – 5pm, followed by post-workshop drinks
Sunday 9 December, 9am – 4pm

Where:
South Seas Film and Television School, 75 Ellice Rd, Glenfield, Auckland
A travel allowance may be available to some DEGNZ members travelling from out of town.

Cost: DEGNZ members – Free, Non-members – $100. Lunch will be provided each day.

Our Tutor

Dione ChardDione Chard has worked as an assistant editor and editor in both New Zealand and Canada over the past 10 years. She cut her first feature film Stray in 2017 and more recently she’s cut All or Nothing: A Season with the All Blacks for Amazon and is currently working on Vai with Brown Sugar Apple Grunt Productions. As an assistant she’s worked on many varied productions from ABC’s Legend of the Seeker to Disney sitcom Mr Young, telefeature Jean and the STARZ series Ash vs Evil Dead.

To Apply

Application Deadline: 1PM, Friday 23 November 2018

STEP 1: Submit the form below.

STEP 2: You will be redirected to the File Upload page, which can also be found here. Upload your application file(s) in PDF or Word Document. Submit before the deadline:

  • your CV/filmography
  • a brief, maximum one-page letter on why you would like to attend and what you hope to gain from the workshop

Late or incomplete applications will not be accepted.

 

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This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Ita Obrien

Intimacy on Set & Stage with Ita O’Brien

As some of you will be aware, Equity New Zealand is involved in bringing Intimacy Coordinator Ita O’Brien from England to run a series of seminars and workshops in Australia and New Zealand (10-12 December).

The DEGNZ board feels the best option for directors in regard to how best to handle scenes involving intimacy, simulated sex and nudity is education. We also feel that directors should upskill so that they have the capability to deal with such scenes professionally.

We therefore encourage you to attend one or more of Ita’s sessions, in particular session #3 so that you can incorporate the work of intimacy coordinator into your own practice as a director.

Please review the material below and make an application through Equity Foundation should you wish to take advantage of this opportunity.

 

Intimacy on Set and Stage with Ita O’Brien

 

This event series is brought to you by Equity Foundation and the support of their partners.

equityfoundation