Ko te manu e kai ana i te miro nōnā te ngahere, 
ko te manu e kai ana i te mātauranga nōnā te ao.

‘The forest belongs to the bird who feasts on the miro berry, 
the world belongs to the bird who feasts on education’.

 

Our kaupapa is to inspire rangatahi to look beyond the glamour of filmmaking to the hidden engine room that controls the story and magic of a film – Editorial.

If you’d like to know more, come along to a workshop where you can find out what’s involved, hear from and talk with Māori who have made a career in film editing. Have a go with a scene from an award winning Māori drama on the latest editing software and find out just how much influence and responsibility an editor has on a film.

Tikanga Māori will be in place, some tutors are te reo speakers, and te reo is welcomed in the workshop but not required.

Ngā Kaiwhakahaere: Hineani Melbourne (NAW) & Tui Ruwhiu (DEGNZ)

Ngā Kaiako:

TE RUREHE PAKI (Editor Merata: how Mum Decolonised the Screen, Vapnierka, Making Good Men, The Gravediggers of Kapu)

ANNIE COLLINS (Editor Coming Home in the Dark, premiere Sundance 2021)


Support Tutors: Lea McLean & Onehou Strickland

Workshop Details

When: Saturday 29 May 2021, 9:30am – 4:30pm with capacity for a chat, or a little extra time for finishing a task until 5:30pm if required.

Where: South Seas Film School Campus – Yoobee Colleges, Unit 6/75 Ellice Road, Wairau Valley, Auckland 0629
If you need help with transport to the North Shore, please let us know when you register.

For Ages: 17 – 30 year old

Price: Free of charge. Includes lunch & refreshments.

 

Registration Form

Registrations Close: Monday 24 May, 4PM

Spaces limited to 14. We will email you to confirm your place.

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This workshop is instigated and run by Ngā Aho Whakaari (Maori in Screen) and the Directors & Editors Guild of New Zealand (Ngā Kaiwherawhera Kiriata)

       


Supported by the
New Zealand Film Commission

NZFC

 

Making the Intangible Tangible

What is tone? How does a director establish it and best communicate it? Establishing the tone of your film is a key element of filmmaking, a vital part of the process of making the intangible tangible.  

The director’s vision for a film and his or her voice are key elements of tone. As are frame rate, music and sound effects, lighting, colour, production design, wardrobe and makeup, framing and movement. Tone is all encompassing.  

In the first two of three new workshops on tone, run by the Directors & Editors Guild of NZ, participants will explore with director Rob Sarkies how a director goes about setting the tone of a film.

The third workshop with another esteemed director will be announced at a later date.

Tone with Rob Sarkies

Rob Sarkies

Credit: Matt Grace Photography

Tone is suggested by the script and clues will be found in the story, setting, action and characters. But it is also determined by the director’s tastes, culture, and instincts. Rob’s workshop explores how to translate all this into a coherent visual form and communicate it to others.

Rob’s work ranges (quite literally) from comedy to tragedy so he knows the importance of establishing a unique tone for each production, be it film or television. Using examples from his work, Rob will guide participants through a process where they can explore tone for an upcoming work. It will help to have your own project in mind – a short film, a first feature, a web series etc – when you come to the workshop.

 

Wellington – Sunday 18 April 2021, 9:30am – 4pm
Applications close Tuesday 13 April, 3PM. More info >

Auckland – Sunday 16 May 2021, 9:30am – 4pm
Applications close Tuesday 11 May, 3PM. More info >

 

Travel Allowances

DEGNZ Full members based outside of Wellington and Auckland can apply to the Guild for travel support up to the value of $250 (incl GST). We have six grants available.

To apply you must meet these criteria:

  1. You live outside of both the Wellington and Auckland regions.
  2. You are a NZ Citizen or permanent resident.
  3. You have a confirmed place in one of the Tone workshops.

For additional information and criteria, see here.

 


This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Ko te manu e kai ana i te miro nōnā te ngahere, 
ko te manu e kai ana i te mātauranga nōnā te ao.

‘The forest belongs to the bird who feasts on the miro berry, 
the world belongs to the bird who feasts on education’.

Two-Day Workshop for Maori Editors 17 & 18 April

This workshop is for emerging to mid-level Maori editors with a focus on preparing you to transition to independent drama productions.

Tikanga Maori will be in place, some tutors are te reo speakers, and te reo is welcomed in the workshop.

We will cover:

  • setting up an Editorial department
  • interaction with the pre-production and production crew
  • scheduling an edit
  • setting up the workflow systems from camera originals through to handovers to independent post houses (sound design, picture conform, composer, VFX, titles graphic artist)
  • relationships with other departments including producers and directors
  • handling screenings, and giving and receiving feedback.

The focus is on managing an independent Editorial department for an independent production, not on how to edit – it is assumed that you know how to edit and you have your own style and vision that you should retain. The workshop will use Avid Ultimate 2020.8, and you are urged to familiarise yourself via online tutorials.

The workshop commences at 9:30am each day, finishing around 4:30pm with capacity for a chat, or a little extra time for finishing a task until 5:30pm if required. Lunch is provided, tea and coffee for morning and afternoon breaks.

Limited Spaces. We will email you to confirm whether you’ve been accepted.

Workshop Details

Ngā Kaiwhakahaere: Hineani Melbourne (NAW) & Tui Ruwhiu (DEGNZ)

Ngā Kaiako:

Te Rurehe Paki (editor Merata: how Mum Decolonised the Screen, Vapnierka, Making Good Men, The Gravediggers of Kapu)

Annie Collins (editor Coming Home in the Dark, premiere Sundance 2021)

Location: South Seas Film School Campus – Yoobee Colleges, Unit 6/75 Ellice Road, Wairau Valley, Auckland 0629

Price: Workshop offered free of charge because of the COVID-19 pandemic.

Travel Allowances: If selected to attend, DEGNZ and NAW members may apply for financial assistance of up to $150 (incl. GST) towards their travel costs. To be eligible:

  • Applicants must live in New Zealand outside the Auckland region.
  • Applicants must be a current member of DEGNZ or NAW.
  • There are up to 8 travel allowances available for this workshop.

 

Application Form

Applications Deadline: Friday 9 April, 2PM

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Brought to you by Ngā Aho Whakaari and the Directors & Editors Guild of NZ

       


with the generous support of the
New Zealand Film Commission.

NZFC

 

For the first time in its five-year history and as part of its Diversity focus, the DEGNZ Emerging Women Filmmakers Incubator for 2021 will focus solely on a Diversity call for applications.

The Directors & Editors Guild of NZ welcomes applications from Māori, Pacific Island, Pan-Asian and other POC female directors to take part in this talent development programme.

Background

The overall vision of the DEGNZ Women Filmmakers Incubator is to empower the participating directors with the confidence, knowledge and connections that they can use to go on and direct a feature film, drama or scripted series.

The Incubator is intended primarily for emerging debut directors of feature film (drama or documentary), but will also consider those wishing to establish careers in TV drama and scripted content.

Applicants must apply with a project, but the Incubator is primarily focused on filmmaker development, not project development.

The objectives of the Incubator are:

  • Increase the number of women directing features and TV drama.
  • Connect producers, broadcasters and funders with female directors with a view to getting more female-centric stories into and through development.
  • Create networking opportunities for women directors to further their projects and careers.
  • Inspire and encourage women directors to passionately pursue feature film and drama directing careers through interaction with successful women who serve as role models.
  • Improve directors’ understanding of the business of film and television drama.
Workshops

Participants will attend five one-day workshops across 2021 with the first scheduled to take place in late April. All workshops are intended to be held in Auckland, and a travel allowance will be available for participants based in other regions.

Participants need access to a computer (recommended) or another device to participate online via Zoom, if the workshops are affected by COVID-19 Alert Levels.

The workshops are individually themed to provide specific knowledge, networks, skills, and inspiration that enable participants to advance themselves and their careers. As the global screen industry undergoes constant change at this time, DEGNZ will remain flexible as to the actual content of the programme, seeking to incorporate information and opportunities that are relevant.

 


Eligibility

All applicants will be expected to have a good level of directing experience with scripted content, such as acclaimed web series, shorts with festival success, TV commercials, or broadcast content.

Applicants must:
  1. Have an active project (feature film, documentary feature, telefeature, TV/online drama or scripted series) in development that has never been presented to a broadcaster or funder. It is preferable that the project is at least at first draft script but if not available, there must be a detailed Writer’s Treatment for the project. A Director’s Treatment that includes Style, Tone, Imagery, Look & Feel, etc. is NOT requested. The applicant does not have to be the writer on the project.
  2. Have experience as a director of scripted content (drama, comedy) or documentary in the form of the project they are submitting, i.e. if you are applying with a narrative drama project, you must have experience directing narrative drama or if it’s comedy, experience directing comedy, etc.
  3. Have a directing credit on one of the following:
    • a short film selected for one of the NZFC’s Recommended Short Film Festivals, the New Zealand International Film Festival, Show Me Shorts Film Festival or any regional film festival in New Zealand. You need to supply in your filmography and links section the Festival Name, Year of Selection, and a link to the full film or content selected, for viewing purposes.
    • a commissioned scripted one-off or series by a broadcaster or digital platform. You need to supply in your filmography and links section the Broadcaster or Platform Name, Year of First Broadcast/Play, and a link to content commissioned, for viewing purposes.
  4. For feature film, be a debut director.
  5. Be available to participate in all workshops.
  6. Identify as female and be of Māori, Pacific Island, Pan-Asian or other POC heritage.
  7. Be a NZ Citizen or permanent resident.
Membership

Selected participants must be DEGNZ Full members for the duration of the Incubator programme.

 


How to Apply

Application Deadline: 9AM, Monday 12 April 2021

Application Requirements:

  1. A completed DEGNZ Women Filmmakers Incubator Application Cover Sheet (PDF 291KB).
  2. A one-page synopsis of the project with the ending revealed.
  3. A maximum two-page letter stating what your career goals are and why you want to participate in this Incubator.
  4. A one-page bio (not a CV).
  5. A filmography and links to completed work that supports the project you are including with this application. Include details as per eligibility requirement 3.

Compile your documents into one single PDF in the order matching requirements 1 – 5.

Give the single PDF the following naming convention: (YourName)_DEGNZWomenFilmmakersIncubator_2021

Send your application to admin@degnz.co.nz with DEGNZWFI2021 in the subject line.

Selection Process

A selection panel will shortlist candidates. Shortlisted candidates must be available for a one-on-one interview via Zoom to be held in the week of April 12. Getting an interview does not imply that you have been selected for the Incubator.

If shortlisted, you will be expected to immediately supply prior to the interview a detailed Writer’s Treatment of your active project (different to your 1-page synopsis). The treatment needs to be within a minimum of 5 pages to a maximum of 10 pages.

The Incubator participants will be selected from the shortlist following the interview.

Decisions will be final and no correspondence will be entered into.

 

The Incubator is made possible thanks to the generous support of the New Zealand Film Commission.

NZFC


Questions about the Incubator?

Tui Ruwhiu
Executive Director
tui@degnz.co.nz
+64 9 360 2102

 

The three screen unions being the Directors & Editors Guild of NZ, Equity New Zealand and the New Zealand Writers Guild are pleased to announce the launch of a series of ‘Know Your Rights’ workshops at nine locations around New Zealand.

The workshops are for members and non-members of the guilds and intended to:

  • demystify contracts,
  • improve business management skills for contractors,
  • provide insight into the Screen Industry Worker Bill,
  • and allow each of the guilds to speak directly to specifics related to the careers of actors, writers, directors and editors.

Joining the three executive directors of the guilds to present on topics will be legal firm Hudson Gavin Martin (experts in media and IP law) and production accountant Natalie Doherty. Each workshop will be run from 9AM to 5PM in a series of joint and breakout sessions, and will also cover off on topics including:

  • Intellectual Property
  • Copyright
  • The difference between employer and contractor
  • Tips and advice on company structures, how to handle taxes, GST, per diems and expenses and more

Nine workshops are planned with two each in Auckland and Wellington, and one each in Dunedin, Christchurch, Queenstown, Wellington, Nelson, and Rotorua. The date for the first workshop is 12 March in Auckland.

The ‘Know Your Rights’ Workshop is a ‘must-do’ for any actor, director, editor or writer who seeks a successful career in the New Zealand screen industry, arming you with the knowledge, information and resources you need to negotiate and collaborate successfully and work sustainably.

 

Know Your Rights Workshop – Auckland

Price: Free – Tickets/spaces limited. Preference given to members. Book your seat now on Eventbrite.
Date: Workshop 1 – 12th March 2021
Time: 9.30am – 4.30pm (9am arrival for a 9:30am start)
Venue: Click Studios – 145 Carrington Rd, Mt Albert, Auckland

 

Tour Dates 2021:

Auckland – Friday 12 March | Friday 25 June
Dunedin – Friday 26 March
Christchurch – Friday 30 April
Queenstown – Saturday 1 May
Wellington – Friday 21 May | Friday 30 July
Nelson – Friday 22 May
Rotorua – Saturday 31 July

Book your seat on Eventbrite

NB: Venues confirmed closer to the dates

 

These workshops are brought to you with the financial support of the Ministry of Business, Innovation and Employment.