Wellington – Rehearsal & Performance with Director Chris Dudman

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Rehearsal & Performance logo

The Rehearsal & Performance series provides regular opportunities for directors and actors to practise their craft. Each workshop brings in an experienced moderator to guide participants as they explore a workshop scene in groups (one director, two actors) in a safe and non-pressured environment.

Join us in Wellington for the next Rehearsal & Performance workshop with director Chris Dudman.

Moderator

Chris DudmanChris Dudman’s career has involved writing and directing short films, commercials, feature and series documentary and series TV drama. He directed short film successes The Graffiti of Mr Tupaia and Choice Night, and later co-wrote and directed Harry, the gritty crime drama series starring Oscar Kightley and Sam Neill. He wrote and directed The Day that Changed My Life, the multi-award winning documentary about Christchurch’s devastating earthquake, and directed two standalone episodes of James Patterson’s true crime anthology series Murder is Forever. He’s currently writing an adaptation of Archibald Baxter’s memoir We Will Not Cease. Chris was also a longtime partner of and director at Auckland TV commercials company Robber’s Dog.

Preparation

Selected directors and actors will be expected to do some script prep beforehand. DEGNZ will provide the scene at least one week in advance.

Wellington

When: Sun 25 August, 9am – 2pm
Where: Toi Poneke, 61 Abel Smith St, Te Aro, Wellington

Cost:
DEGNZ / Equity NZ member – Free
Ngā Aho Whakaari Full member – Free
Non-member – $69

(Includes lunch and tea/coffee)

Register your interest

Registrations close Friday 9 August, 3PM.

Spots are limited to four directors and eight actors. If your name is selected, DEGNZ will contact you directly to confirm your participation.

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The Rehearsal & Performance series is hosted by Directors & Editors Guild of NZ with the support of Equity New Zealand and funding from the New Zealand Film Commission.

Masterclass with Thom Zimny at NZIFF 2019

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Director Thom Zimny

Film director Thom Zimny (The Gift: The Journey of Johnny Cash) will lead a Masterclass for filmmakers in Auckland as part of NZIFF 2019.

This is the second time NZIFF has been able to provide a Masterclass designed for industry practitioners, thanks to an Artistic Development Partnership with Creative New Zealand. The Masterclass will take place on Thursday 1 August and will be run by the Directors & Editors Guild of New Zealand (DEGNZ) on behalf of NZIFF.

Thom Zimny, known for his award-winning documentaries, will take filmmakers inside his process from the research phase through to the edit with special focus on the edit process. Works discussed will include The Gift: The Journey of Johnny Cash and Elvis Presley: The Searcher.

Masterclass attendees are encouraged to see The Gift: The Journey of Johnny Cash at NZIFF beforehand (Tuesday 30 July or Wednesday 31 July).

Limited tickets for the Masterclass are on sale from Ticketmaster.

Masterclass with Thom Zimny

Thursday 1 August 2.00pm to 5.30pm

Venue: WG701, WG Building, AUT City Campus, 55 Wellesley Street East, Auckland Central 1010

Ticket prices: $30 Full price / $20 Industry guild concession*

About Thom Zimny

Thom Zimny is an award-winning artist, director, producer and editor. Working with Bruce Springsteen for the past 18 years, Zimny has directed documentaries including Bruce Springsteen’s High Hopes, The Ties That Bind and the newly released Springsteen On Broadway. He has previously directed and produced two feature length documentaries chronicling key chapters in Bruce Springsteen’s recording career, winning a Grammy for Wings For Wheels: The Making of Born to Run. In addition, Zimny edited three seasons of the highly acclaimed HBO series by David Simon, The Wire and helmed music videos for Bob Dylan, The Low Anthem and many others. The Gift: The Journey of Johnny Cash was made in collaboration with the Cash Estate, and premiered at this year’s SXSW Film Festival.

The Gift: The Journey of Johnny Cash

Auckland screenings featuring a Q+A with Thom Zimny

Tuesday 30 July, 6.15pm at ASB Waterfront Theatre

Wednesday 31 July, 3.15pm at ASB Waterfront Theatre

Wellington screenings

Saturday 3 August at 6.15pm at Soundings Theatre, Te Papa

Monday 5 August at 6.30pm at the Roxy Cinema

Tuesday 6 August at 2.15pm at the Roxy Cinema

 

* Apply the Industry code from your guild/association when booking.

Directing Masterclass with Sophie Hyde

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Animals

DEGNZ is excited to present a Directing Masterclass with Australian director/producer Sophie Hyde on Saturday 27 July in Auckland.

In this interactive Masterclass, Sophie will share on how she came to be making film and television and how her projects are able to develop and thrive within the film collective she works within. Participants will look at case studies on the making of feature films 52 Tuesdays and Animals, and series F*!#ing Adelaide and The Hunting

Sophie will discuss what the big challenges have been, about tackling doubts and keeping self-motivated and rigorous during development and through production. The Masterclass will get directors to think about what’s important to them and how this will help them navigate their own projects.

We invite directors to apply now.

About Sophie Hyde

Sophie’s debut fiction film 52 Tuesdays (director/producer/co-writer) won the directing award in World Cinema Dramatic at Sundance and the Crystal Bear at the Berlinale. Her second film Animals, based on Emma Jane Unsworth’s acclaimed novel, premiered at Sundance 2019. Her first episodic series F*!#ing Adelaide, created for ABC iView screened at Berlin Film Festival and Series Mania in 2018. She produced and co-directed acclaimed documentary Life in Movement, winner of the Australian Documentary Prize in 2011 and the Cinedans Jury and Audience prizes.

She also works as a Producer and believes strongly in nurturing new voices. She was recently mentor and executive producer on A Field Guide to Being A 12-year-old-girl, which won the short film Crystal Bear at Berlin last year. She produced Matt Bate’s feature documentaries Shut Up Little Man! An Audio Misadventure and Sam Klemke’s Time Machine, and Maya Newell’s In My Blood It Runs. She has just finished production as creator/director/producer of The Hunting, a 4×1 hour series for SBS.

Animals screens at the New Zealand International Film Festival 2019. Sophie will be attending Q+A screenings in Auckland.

Masterclass Details

Price: DEGNZ members/NAW Full members – Free, Non-members $95. Lunch and refreshments provided.

When: Sat 27 July, 9am – 5pm

Where: Saint Columba Centre, 40 Vermont St, Ponsonby, Auckland

After the masterclass, DEGNZ Full members attending from outside the Auckland region can apply for a travel allowance of up to $250.

How to Apply

Application Deadline: 9AM, Friday 19 July 2019

STEP 1: Complete the application form below.

STEP 2: Send your filmography OR CV with filmography in PDF to tema@degnz.co.nz.

Late or incomplete applications will not be accepted.

 

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This workshop is brought to you with the generous support of the Australian Screen Directors Authorship Collecting Society and the New Zealand Film Commission.

ASDACS logo       NZFC

2019 Table Reads Round Three

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Table Reads Logo

Calling for actors and directors/writers with scripts for a Table Read on Saturday 10 August!

Round 3 opens on 8 July and closes 2 August.

A core cast – max six actors – together with a writer+director team OR writer/director will collaborate on each script-in-development table read. The script must have a director attached and have been through a development process.

Four Table Reads per year on Saturdays @NZWG HQ in Grey Lynn.

How to Submit a Script

DEGNZ and NZWG members are invited to apply for the script component.

Submit a full-length draft feature film script for your name to go into the draw for a day-long table read (names remain for subsequent draws).

WRITER + DIRECTOR* (OR WRITER/DIRECTOR) – Submit script via email to GuildHQ@nzwg.org.nz.

Eligibility:

Please check these details before you enter.

*Both must be a member(s) of NZWG and DEGNZ:

  • A solo Writer/Director must be a member of both NZWG and DEGNZ.
  • In a Writer-Director team, the Writer must be a member of NZWG, AND the Director must be a member of DEGNZ.

When you enter, please include this information:

  • name of writer, and if they belong to NZWG
  • name of director, and if they belong to DEGNZ

Call for Actors for Table Read #3

We are looking for actors to work together with writers and directors on a script-in-development table read. Actors must be members of Equity New Zealand.

Actors, please register your interest below and the NZWG will contact you if you are cast. You will receive a gift card as a nominal appreciation for your participation.

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2019 Table Reads

Table Read #1

Open: 21 January
Close: 15 February
Table Read: Sat 23 February

Table Read #2

Open: 15 April
Close: 10 May
Table Read: Sat 18 May

Table Read #3

Open: 8 July
Close: 2 August
Table Read: Sat 10 August

Table Read #4

Open: 21 October
Close: 15 November
Table Read: Sat 23 November

A joint initiative brought to you by NZWG, DEGNZ & EQUITY Foundation
With warm thanks to the New Zealand Film Commission

Call for Actors for 5-Day Travis Technique Intensive

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DEGNZ invites actors to apply for a rare learning experience as a participant and observer in our 5-Day Travis Technique Intensive Workshop for Directors.

The Intensive with Mark Travis is designed to fully immerse five directors into story, characters and staging. The five days are all about process and collaboration. Each director will develop their scene script and characters in collaboration with two to three actors. Actors may be cast as one or two characters. Final rehearsals will take place over Friday, Saturday and Sunday. Actors need to be available for their half-day rehearsal slot(s). 

Although not compulsory for actors to take part in the full five days, we encourage those selected to attend as much of the Intensive as possible. In this way, the actor will get to fully participate in working with the directors, and experience The Travis Technique of allowing their characters to emerge organically from deep within.

“I love working with Mark. It’s as if he opens the top of my head and rummages around in there until all my internal voices are alive and conflict… then he calls action. I can’t plan or play it safe, I am forced to exist in the moment. It’s a gift for an actor.”

Tandi Wright
Tandi WrightActor (Daffodils, Nothing Trivial)

The Travis Technique

The greatest obstacle for directors and actors is their desire to control the characters. Directors control by demanding results. Actors control by planning their performances, thereby effectively blocking the characters from emerging freely and organically.

The problem is that most directors are not given the training in how to engage with actors in a creative and collaborative way. Without these skills for inspiring and supporting the actors, directors will revert to result directing. This forces actors to fabricate the emotions and attitudes they think will please the director.

With The Travis Technique, directors can bring out the characters’ emotional truths from the actors without falling back on result directing. Actors can release their characters from within – complex and unpredictable, lusting and tumbling through the drama of their lives. Even the most vanilla scenes will start to breathe and pulse.

Once directors and actors have worked together in rehearsal, exploring the characters’ relationships and dynamics in the scenes, the quality of performances will be markedly heightened. During production, multiple takes can be tweaked quickly and efficiently, saving time and money.

 

Our Tutors

MARK W. TRAVIS is one of the world’s leading authorities on the art of film directing, writing and storytelling. On-stage, he has directed over 60 theatre productions in Los Angeles and New York. Author of two important books on filmmaking and winner of over 30 directorial awards in theater, Mark Travis has developed a fresh and innovative approach to writing and directing that cuts to the living and breathing core of every story, script and character. Mark has taught his dynamic Travis Technique at over 50 film schools and director’s guilds around the world. Affectionately called “the director’s director,” Mark is in constant demand to consult on film projects worldwide.

ELSHA TAYA BOHNERT is an award-winning artist and poet, and the author of Don’t Trip over the Garden Hose (Deuxmers, 2013). Elsha has been a longtime student of Mark Travis’ autobiographical storytelling workshops in Hawai`i and is the only person authorized by him to teach it. With her background in multicultural learning and narrative medicine, she helps students learn The Travis Technique through playful and provocative games. “You have to be like an ancient four-year-old,” she says, “clueless and wise about the enchanted worlds we come from and still carry around in our bodies.”

Workshop Details

When: 14 – 18 August, Wed to Sun 9am – 6pm.

Where: Samoa House, The Actors’ Program, 283 Karangahape Rd, Auckland

Actor Price: Free

To Apply

Application Deadline: 10AM, Wednesday 24 July 2019

Please complete the application form below. You will need to supply a link to your acting profile.

Late or incomplete applications will not be accepted.

Applications closed.

This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC