Posts

2019 Table Reads Round Four

,
Guild Table Reads

Calling for actors and directors/writers with scripts for a Table Read on Saturday 30 November!

Round 4 opens on 21 October and closes 15 November, 3pm.

A core cast – max six actors – together with a writer+director team OR writer/director will collaborate on each script-in-development table read. The script must have a director attached and have been through a development process.

Four Table Reads per year on Saturdays @NZWG HQ in Grey Lynn.

Table Reads LogoHow to Submit a Script

DEGNZ and NZWG members are invited to apply for the script component.

Submit a full-length draft feature film script for your name to go into the draw for a day-long table read (names remain for subsequent draws).

WRITER + DIRECTOR* (OR WRITER/DIRECTOR) – Submit script via email to GuildHQ@nzwg.org.nz.

Eligibility:

Please check these details before you enter.

*Both must be a member(s) of NZWG and DEGNZ:

  • A solo Writer/Director must be a member of both NZWG and DEGNZ.
  • In a Writer-Director team, the Writer must be a member of NZWG, AND the Director must be a member of DEGNZ.

When you enter, please include this information:

  • name of writer, and if they belong to NZWG
  • name of director, and if they belong to DEGNZ

Call for Actors for Table Read #4

We are looking for actors to work together with writers and directors on a script-in-development table read. Actors must be members of Equity New Zealand.

Actors, please register your interest below and the NZWG will contact you if you are cast. You will receive a gift card as a nominal appreciation for your participation.

Loading…

 


2019 Table Reads

Table Read #1

Open: 21 January
Close: 15 February
Table Read: Sat 23 February

Table Read #2

Open: 15 April
Close: 10 May
Table Read: Sat 18 May

Table Read #3

Open: 8 July
Close: 2 August
Table Read: Sat 10 August

Table Read #4

Open: 21 October
Close: 15 November
Table Read: Sat 30 November (New date)

A joint initiative brought to you by NZWG, DEGNZ & EQUITY Foundation
With warm thanks to the New Zealand Film Commission

Directing In the Intimate Zone – Christchurch

,
Directing In the Intimate Zone

DEGNZ encourages directors, actors and producers to join us for a one-day Christchurch workshop with Louise Leitch on directing intimacy, after the first Directing In the Intimate Zone workshop in Auckland.

Until now, many directors have not given enough thought and been equipped for directing actors in scenes that involve intimacy, nudity and simulated sex. These scenes can make actors feel extremely vulnerable, particularly when this sensitive area of performance is not given the preparation and care it is due.

In Directing In the Intimate Zone, we will discuss and work with actors on the process of developing an intimate scene for the screen using the best practice guidelines developed by UK intimacy coordinator Ita O’Brien, who was brought over by Equity to run training workshops in Auckland in late 2018.

During the class, Participant Directors will take turns to direct pairs of actors in intimate scenes under Louise’s guidance. Participant Directors upon selection will be invited to submit a short, intimate scene – either with or without dialogue – for consideration ahead of the workshop.

There are four places for directors to participate, as well as places for directors, actors and producers to observe.

About Louise Leitch

Louise Leitch

Photo credit: Tammy Williams

Louise has earned a reputation as a talented story-teller, directing award-winning short films, close to 200 episodes of television drama, and prime-time documentary and docu-drama series in both Australia and NZ. Her critically acclaimed Whakatiki screened in over 20 international film festivals including Tribeca, Tampere, Uppsala, Vladivostok, Hawaii, NZIFF, Show Me Shorts and ImagineNATIVE, winning Best Short Film at First Peoples’ Festival Montreal, Best Actress in a Short Film at Wairoa Film Festival and Best Actress in a Short Film at The NZ Film Awards.

Louise attended Ita O’Brien’s intimacy workshops in NZ in 2018 and is training with Ita to become an accredited Intimacy Coordinator. Louise is currently Vice President of the Directors & Editors Guild NZ and has contributed to the drafting of Equity NZ’s Intimacy Guidelines for Stage and Screen.

She teaches film, television and intimacy best practice at RMIT University in Melbourne and The New Zealand Broadcasting School.

Workshop Details

Price:
DEGNZ / Equity NZ member – Free
Non-member regional price – $75

Lunch and refreshments provided

When: Saturday 23 November 2019, 9am – 5pm

Where: Rangi Ruru Girls’ School, 59 Hewitts Rd, Merivale, Christchurch

Travel Allowances
DEGNZ Full members may apply for financial assistance of up to $250 (incl. GST) towards their travel costs.

  • DEGNZ has up to 4 travel allowances available for this workshop.
  • Applicants must live outside Canterbury.
  • Priority will be given to Full members living in the South Island and the Wellington region.
  • For further information and criteria, see here.

Eligibility:

This workshop is R18.

To be eligible to apply as a Participant Director:

  • You must have experience directing at least short films/dramatic content, and are working in/moving into longer-form drama/film.
  • Priority will be given to those who are actively engaged in directing or preparing to direct narrative drama, especially if you are dealing with scenes of nudity, intimacy and/or simulated sex.

If you apply as a Participant and are unsuccessful, you will receive an offer to attend as an Observer.

To Apply

To register as an Observer, complete the registration form below.

To apply as a Participant Director, complete the registration form below and email your supporting documents to tema@degnz.co.nz before the registration deadline:

  • a CV/bio with filmography
  • a brief letter summarising why you would like to participate as a director, what you hope to gain from the workshop, and any experience directing intimacy (not a requirement for selection).

Late or incomplete applications will not be accepted.

Registration Deadline: 3PM, Thursday 24 October

Registration Form

 

Loading…

 

Refund Policy: Requests for refunds must be received by Sunday 17 November. A $2.50 cancellation fee will be incurred. Refunds can take up to approximately 10 working days to process.

 

This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Call for Actors for 5-Day Travis Technique Intensive

,

DEGNZ invites actors to apply for a rare learning experience as a participant and observer in our 5-Day Travis Technique Intensive Workshop for Directors.

The Intensive with Mark Travis is designed to fully immerse five directors into story, characters and staging. The five days are all about process and collaboration. Each director will develop their scene script and characters in collaboration with two to three actors. Actors may be cast as one or two characters. Final rehearsals will take place over Friday, Saturday and Sunday. Actors need to be available for their half-day rehearsal slot(s). 

Although not compulsory for actors to take part in the full five days, we encourage those selected to attend as much of the Intensive as possible. In this way, the actor will get to fully participate in working with the directors, and experience The Travis Technique of allowing their characters to emerge organically from deep within.

“I love working with Mark. It’s as if he opens the top of my head and rummages around in there until all my internal voices are alive and conflict… then he calls action. I can’t plan or play it safe, I am forced to exist in the moment. It’s a gift for an actor.”

Tandi Wright
Tandi WrightActor (Daffodils, Nothing Trivial)

The Travis Technique

The greatest obstacle for directors and actors is their desire to control the characters. Directors control by demanding results. Actors control by planning their performances, thereby effectively blocking the characters from emerging freely and organically.

The problem is that most directors are not given the training in how to engage with actors in a creative and collaborative way. Without these skills for inspiring and supporting the actors, directors will revert to result directing. This forces actors to fabricate the emotions and attitudes they think will please the director.

With The Travis Technique, directors can bring out the characters’ emotional truths from the actors without falling back on result directing. Actors can release their characters from within – complex and unpredictable, lusting and tumbling through the drama of their lives. Even the most vanilla scenes will start to breathe and pulse.

Once directors and actors have worked together in rehearsal, exploring the characters’ relationships and dynamics in the scenes, the quality of performances will be markedly heightened. During production, multiple takes can be tweaked quickly and efficiently, saving time and money.

 

Our Tutors

MARK W. TRAVIS is one of the world’s leading authorities on the art of film directing, writing and storytelling. On-stage, he has directed over 60 theatre productions in Los Angeles and New York. Author of two important books on filmmaking and winner of over 30 directorial awards in theater, Mark Travis has developed a fresh and innovative approach to writing and directing that cuts to the living and breathing core of every story, script and character. Mark has taught his dynamic Travis Technique at over 50 film schools and director’s guilds around the world. Affectionately called “the director’s director,” Mark is in constant demand to consult on film projects worldwide.

ELSHA TAYA BOHNERT is an award-winning artist and poet, and the author of Don’t Trip over the Garden Hose (Deuxmers, 2013). Elsha has been a longtime student of Mark Travis’ autobiographical storytelling workshops in Hawai`i and is the only person authorized by him to teach it. With her background in multicultural learning and narrative medicine, she helps students learn The Travis Technique through playful and provocative games. “You have to be like an ancient four-year-old,” she says, “clueless and wise about the enchanted worlds we come from and still carry around in our bodies.”

Workshop Details

When: 14 – 18 August, Wed to Sun 9am – 6pm.

Where: Samoa House, The Actors’ Program, 283 Karangahape Rd, Auckland

Actor Price: Free

To Apply

Application Deadline: 10AM, Wednesday 24 July 2019

Please complete the application form below. You will need to supply a link to your acting profile.

Late or incomplete applications will not be accepted.

Applications closed.

This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC

 

5-Day Travis Technique Intensive Workshop for Directors

,

DEGNZ invites New Zealand directors to apply for a 5-Day Travis Technique Intensive from August 14 – 18 in Auckland. The workshop is designed to fully immerse a small number of directors (max. 5) into STORY (Autobiographical Storytelling), CHARACTERS (Interrogation Process) and STAGING (Power of Placement). By practicing The Travis Technique on a story from their own life, directors will gain the confidence to apply their new skills to their own projects right away.

Based in California, Mark Travis trains directors in The Travis Technique worldwide.

Go beyond result directing and venture into inspired and impactful collaboration with your characters

The greatest obstacle for directors and actors is their desire to control the characters. Directors control by demanding results. Actors control by planning their performances, thereby effectively blocking the characters from emerging freely and organically.

The problem is that most directors are not given the training in how to engage with actors in a creative and collaborative way. Without these skills for inspiring and supporting the actors, directors will revert to result directing. This forces actors to fabricate the emotions and attitudes they think will please the director.

With The Travis Technique, directors can bring out the characters’ emotional truths from the actors without falling back on result directing. Actors can release their characters from within – complex and unpredictable, lusting and tumbling through the drama of their lives. Even the most vanilla scenes will start to breathe and pulse.

Once directors and actors have worked together in rehearsal, exploring the characters’ relationships and dynamics in the scenes, the quality of performances will be markedly heightened. During production, multiple takes can be tweaked quickly and efficiently, saving time and money.

“I love working with Mark. It’s as if he opens the top of my head and rummages around in there until all my internal voices are alive and conflict… then he calls action. I can’t plan or play it safe, I am forced to exist in the moment. It’s a gift for an actor.”

Tandi Wright
Tandi WrightActor (Nothing Trivial, Daffodils)

“I was fortunate enough to attend a 10 day intensive Mark Travis technique in [Los Angeles]. I found the workshop immensely beneficial. Especially in regards to workshopping characters, deepening my script and also blocking scenes in a more dynamic and interesting way.”

Zoe McIntosh
Zoe McIntoshDirector (The World in Your Window)

Our Tutors

MARK W. TRAVIS is one of the world’s leading authorities on the art of film directing, writing and storytelling. On-stage, he has directed over 60 theatre productions in Los Angeles and New York. Author of two important books on filmmaking and winner of over 30 directorial awards in theater, Mark Travis has developed a fresh and innovative approach to writing and directing that cuts to the living and breathing core of every story, script and character. Mark has taught his dynamic Travis Technique at over 50 film schools and director’s guilds around the world. Affectionately called “the director’s director,” Mark is in constant demand to consult on film projects worldwide.

ELSHA TAYA BOHNERT is an award-winning artist and poet, and the author of Don’t Trip over the Garden Hose (Deuxmers, 2013). Elsha has been a longtime student of Mark Travis’ autobiographical storytelling workshops in Hawai`i and is the only person authorized by him to teach it. With her background in multicultural learning and narrative medicine, she helps students learn The Travis Technique through playful and provocative games. “You have to be like an ancient four-year-old,” she says, “clueless and wise about the enchanted worlds we come from and still carry around in our bodies.”

Workshop Details

When: 14 – 18 August, Wed to Sun 9am – 6pm

Where: Samoa House, The Actors’ Program, 283 Karangahape Rd, Auckland

Price (Usually $4000 USD): 
DEGNZ member – $500
Non-member – $1000

Eligibility

To be considered for the course, directors must meet ONE of the following:

  • You’re in advanced development on a feature film (can be a debut feature).
  • You’re attached to direct scripted drama that’s likely to go into production.
  • You have directed on a feature film, scripted drama or telefeature.

What you will need

Selected directors will need to begin preparation two months prior in order to be best prepared to get the most out of the Intensive. Prep will begin with the assignment of writing a short 3-minute autobiographical story. Mark and Elsha will work with each director to develop the characters and deepen their story ahead of the workshop.

Note: Any work done by the directors will be observed in a supportive, collegial environment. This workshop will be open to observation by a modest-sized group of actors and fellow DEGNZ members.

To Apply

Application Deadline: 9AM, Monday 17 June 2019

STEP 1: Submit your details using the form below.

STEP 2: Send in one PDF to tema@degnz.co.nz:

  • your bio and CV, and
  • a brief, maximum 1-page letter that explains why you would like to participate. If you are in development, please provide details of the project, including what stage it’s in and key people.

Late or incomplete applications will not be accepted.

Loading…

This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Directing In the Intimate Zone

,
Jennifer Ward-Lealand

Call for Applications.

Until now, many directors have given little thought to directing actors in scenes that involve intimacy, nudity and simulated sex. This needs to be addressed, as these scenes can make actors feel extremely vulnerable, particularly when this sensitive area of performance is not given the preparation and care it is due.

The Directors & Editors Guild of NZ encourages members of the Guild to apply for our one-day workshop on directing intimacy with Jennifer Ward-Lealand Te Atamira.

In this workshop, we will discuss and work with actors on the process of developing an intimate scene for the screen using the best practice guidelines developed by UK intimacy coordinator Ita O’Brien, who was brought over by Equity to run training workshops in Auckland late last year.

There are four places for directors to participate and up to 14 places for directors to observe.

Participant Directors upon selection will each be invited to submit a short, intimate scene – either with or without dialogue – for consideration ahead of the workshop. During the class, Participant Directors will take turns to direct and co-direct pairs of actors in intimate scenes under Jennifer’s guidance.

When: Sunday 10 March 2019, 9am – 5pm

Where: MTG RM, 2 Kingsland Terrace, Kingsland, Auckland
A travel allowance may be available to selected Participant Directors travelling from outside the Auckland region.

Cost: Free
Light refreshments provided.

About Jennifer Ward-Lealand

Since training at Auckland’s influential Theatre Corporate, Jennifer has worked extensively in theatre, film, television, musical and radio for over 35 years. Jennifer is one of New Zealand’s most recognisable acting talents and a respected theatre director. She has taught for The Actors’ Program, Toi Whakaari and NASDA.

Jennifer is currently President of Equity New Zealand, Patron of Q Theatre, and serves as a trust board member of The Actors Benevolent Fund. In the 2007 New Years Honours List, she was named an Officer of the New Zealand Order of Merit for services to theatre and the community. She was given the SPADA Industry Champion award in 2018 and in the New Year’s Honours List was made a CNZM, Companion of the NZ Order of Merit for services to theatre, film and television.

Eligibility to Apply:

This workshop is R18.

If you apply as a Participant and are not selected, you will be considered for a place as an Observer.

Participant Directors:

  • You must be a DEGNZ member.
  • You must have experience directing at least short films/dramatic content, and are working in/moving into longer-form drama/film.

Observer Directors:

  • You must be a DEGNZ member.
  • Preference will be given to those who are actively engaged in directing or preparing to direct narrative drama, especially if you are dealing with scenes of nudity, intimacy, and/or simulated sex.

To Apply

Application Deadline: 3PM, Friday 22 February 2019

STEP 1: Sign in below and submit the form.

STEP 2: You will be redirected to the File Upload page, which can also be found here. Upload your application file(s) in PDF. Submit before the deadline:

  • a CV/bio with filmography
  • a brief, maximum one-page letter summarising why you would like to participate/observe, what you hope to gain from the workshop, and any experience directing intimacy (not a requirement for selection).

Late or incomplete applications will not be accepted.

Loading…

This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC