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Screenlink: Inside the Engine of Mortal Engines

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Screenlink: Inside the Engine of Mortal Engines

Join 1st Assistant Editor/VFX Editor Dan Best for the rare chance to have an informal look inside the engine room of a multi million dollar VFX heavy feature. Dan will share on handling the logistics involved, the big editorial team required, media walkabout, the skills, the deadlines. The highs and lows of big projects, and surviving a long, long timeframe.

For this Screenlink, DEGNZ will be partnering with our friends at WIFT. Morning tea will be served on arrival. Talk starts at 11am.

WHEN:  Sat 23 November, 10:30AM – 12:30PM
WHERE:  Department of Post, 19 Newton Road, Grey Lynn, Auckland 1010

RSVP Essential

This free event is open to DEGNZ and WIFT members only as spaces are limited.

DEGNZ members, RSVP to tema@degnz.co.nz (priority will be given to editors; directors are welcome to join our waitlist).

WIFT members, RSVP to office@wiftnz.org.nz.

SPADA Post-Production Workflow Workshops

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SPADA Post Workflow Worshops

SPADA, in association with DEGNZ, presents a day-long workshop introducing the concepts and processes of the post-production workflow.

Delivered by Editor Annie Collins and Producer Catherine Fitzgerald, this workshop will give an overview of the entire post-production process including budgeting, what needs to be covered in the technical workflow, when it’s covered, and with whom, VFX, post-sound, and scheduling from commencement of post-production through to output of deliverables.

Participants will gain an understanding of the different roles and people involved, and an awareness of how to manage and schedule a professional post-production workflow.

This workshop is ideal for emerging filmmakers, aimed at producers and directors with a project or two under their belt who are looking to progress their post-production knowledge and practices. Editors are also welcome to attend, and if you know a producer or director who could benefit, give them a nudge!

Workshop Details

Wellington
Mon 16 September, 10am – 4:30pm
Random Group, 43 Hanson Street, Mount Cook, Wellington

Wellington – Book Now

Auckland
Tue 17 September, 10am – 4:30pm
Department of Post, 19 Newton Road, Grey Lynn, Auckland

Auckland – Book Now

Price:
SPADA / DEGNZ members – $45 + GST
Non-members – $85 + GST
(Tea, coffee and lunch provided)

Contact comms@spada.co.nz if you have any questions.

Assistant Editors – Advanced Skills Workshop Announced

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Directors & Editors Guild of NZ is pleased to present the second stage for assistant editors – an Advanced Skills Workshop designed to follow on from the Assistant Editors – Mandatory Skills Workshop held in December 2018. The Guild warmly invites applications for this 2-day workshop to be held in Wellington on 25-26 May 2019.

This is a hands-on advanced workshop for assistant editors who have completed either the Mandatory Skills Workshop or have strong basic Avid system skills, and for technically-minded Avid practitioners who wish to step up to more complex productions.  It recognises the distinct and essential role that assistant editors play in post production – across feature, documentary and television projects – and will focus on the essentials you need to excel in that role. This is not a beginners workshop.

The workshop will deal with key skills considered essential for assistant editors moving onto feature length productions involving handling multiple workstations, visual effects, exports, handovers, changes and archiving.

Prospective participants should have a strong working knowledge of Avid Media Composer. Up to 12 participants will be selected from applications.

Our Tutors

Dan Best

DAN BEST has 25 years experience in Film and Television. He spent 14 years working as an Editor, Director and Producer for Television. The last 11 years have been spent working in Film as a Post Production Supervisor, Editor, Assistant and VFX Editor, including 1st Assistant Editor on Steven Spielberg’s The Adventures of Tintin, Peter Jackson’s The Hobbit trilogy, and more recently as 1st Assistant / VFX Editor on Mortal Engines and Post Production Supervisor on They Shall Not Grow Old.

Dan is highly valued as a very experienced 1st Assistant Editor and with these huge and varied productions behind him there is little he has not handled in his career to date.

Jonno Woodford-Robinson

JONNO WOODFORD-ROBINSON has been editing feature films since 1999. Amongst his achievements are, most recently, Peter Jackson’s Mortal Engines, and Pork Pie, the re-boot of the iconic Kiwi road movie Goodbye Pork Pie from the 1980’s. In 2015, he edited American independent drama Chloe & Theo, starring Dakota Johnson and Mira Sorvino. Jonno worked with Kiwi Michael Horton to edit Lee Tamahori’s Mahana, and edited Taika Waititi and Jemaine Clement’s box-office hit What We Do in the Shadows, as well as Waititi’s earlier film Eagle vs Shark in which Clement starred. In the midst of The Lord of the Rings success, Jonno edited the cult documentary Frodo is Great . . . Who is That?!!

Jonno has moved through most genres in his career, editing Predicament; Tongan Ninja; Korean hit The Warriors Way; and the superb NZ musical Romeo and Juliet: a Love Song.

Cost: DEGNZ members – Free, Non-members – $100. Lunch and refreshments will be provided each day.

When:
Sat 25 May, 9am – 5pm
Sun 26 May, 9am – 4pm

Where: Te Kahui Auaha, 65 Dixon Street, Te Aro, Wellington 6012

Travel allowances may be available to a limited number of DEGNZ members travelling from outside the Wellington region to attend.

Eligibility:

Prospective participants must meet all of the following requirements:

  • Has participated in the Assistant Editors – Mandatory Skills Workshop OR at least two feature-length productions as an assistant (not necessarily a 1st Assistant), either drama or documentary.
  • Has a good familiarity with Avid media management systems.
  • Has a strong inclination to the technical/computer aspects of the edit suite.

This is not a beginners level workshop.

To Apply

EXTENDED Application Deadline: 9AM, Friday 10 May 2019

STEP 1: Submit the registration form below.

STEP 2: Send in one PDF to tema@degnz.co.nz:

  • your CV/bio, and
  • a brief, maximum 1-page letter that summarises why you would like to participate in the workshop and highlights how you meet the eligibility requirements.

Files must be sent before the deadline. Late or incomplete applications will not be accepted.

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This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

6 Key Developments to Note

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View from the Top banner

There have been a significant number of developments that have occupied our time recently that are worthwhile highlighting.

Firstly, the Copyright Act Review Issues Paper submission.

DEGNZ made a submission, the primary focus of which was the call for recognition of director’s copyright in audiovisual content and cinematographic film. Directors are the authors of their audiovisual works and this needs to be recognised in New Zealand in the Copyright Act, as it is in many other countries around the world. With copyright, directors will be able to negotiate and receive income beyond solely fees that will help them to generate more creative work, and better sustain themselves in their careers. We have a long road to go to convince Government on this, and we need everyone’s help to do so. I hope that many of you were able to make your own personal submissions to assist us with our case. In future we will be looking to you again to support our efforts, particularly with personal statements about how the lack of recognition for directors in respect to copyright has adversely affected you economically and creatively in seeking sustainable careers for yourselves as directors.

Second, the Screen Industry Strategy.

Some of you may be aware of the formation of a body to respond to the Government’s call for industry to develop a 10-year screen industry strategy. DEGNZ has been extremely unhappy about how this group was formed and the lack of any real consultation and communication with the wider screen industry as it was set up. We have called on the proposed chair of this body, former broadcaster and now lawyer Linda Clark, to ensure clear communication and transparency with all parties in the screen industry as it goes about its work. DEGNZ board member and director Michael Duignan was invited into the facilitation group appointed to work alongside this body in response to our request for involvement. In the coming months we will have more to communicate with you about this very important initiative.

Third, unionisation.

Following the almost unanimous vote at the Annual General Meeting last year to unionise, DEGNZ has been working with legal representation to ensure our constitution meets the requirements of a union. The redrafting of the constitution has been completed and will be presented at this year’s AGM for adoption. This will formalise the Guild’s existence as a union and we will affiliate with the Council of Trade Unions soon after. Many of you will be aware that DEGNZ participated in the Film Industry Working Group along with a number of other guilds and bodies. It was convened by the Minister of Workplace Relations and Safety Iain Lees-Galloway, to find a way for screen industry workers to collectively bargain, and made its recommendations to the Minister after many months of discussion. We look forward to the Government following through and making the changes necessary to allow collective bargaining to occur. Unionisation is one facet of our preparations for the work the Guild will have to do when that happens.

Fourth, sexual harassment and intimacy on set.

DEGNZ board member and director Louise Leitch has been leading the Guild efforts in regard to sexual harassment and protocols around intimacy, simulated sex and nudity content. As Louise outlined in this column a couple of weeks ago, she has been working closely with Equity NZ on their Guidelines for Nudity and Intimacy on Stage and Screen. She also participated in the full workshop programme run by UK Intimacy Coordinator Ita O’Brien. It’s the Guild’s intention to offer an ongoing training programme for directors led by Louise and calling on highly experienced actor, instructor and Equity NZ president Jennifer Ward-Lealand, another full participant at Ita O’Brien’s workshops. At the same time, the Guild is maintaining close communication with the Screen Women’s Action Group as they go about their efforts to ensure a safe, sexual harassment-free workplace for screen industry workers.

Fifth, DVD library.

DEGNZ board member and director Gabriel Reid brought to the board’s attention the potential loss of a significant audiovisual resource with the closure of Auckland’s Videon DVD store this year. Videon had a broad collection of many arthouse, auteur director and hard to obtain DVDs. We all know that DVD stores have suffered immensely from the impact of streaming, with many closing down, and a lot of the DVDs that were available from Videon cannot be accessed digitally, or easily. Now Wellington institution Aro Video is suffering as Videon did. The DEGNZ board felt that something had to be done and quickly to preserve access for directors, editors and others to the rare and difficult to obtain films that Videon had on its shelves. In the fire sale that occurred at Videon, DEGNZ acquired over 3000 of their DVDs. We have these in storage and are currently negotiating a solution to see these held in an audiovisual library for access by anyone interested in these films for research purposes or entertainment. We will inform the membership how to go about this once negotiations are complete and the DVDs have all been catalogued.

Sixth, training for post-production.

DEGNZ board member and editor Annie Collins has been driving our strategic and tactical efforts around ensuring editors and others are trained appropriately for work during post-production. Annie is one of NZ’s most highly experienced narrative short, feature and documentary editors and is drawing on all of her accumulated knowledge as we structure current and future initiatives. The Assistant Editor workshops are one example of the outcomes from our focus in this area, the feature film editing attachments another. The work Annie is leading will hopefully introduce or stimulate other initiatives here.

I am thankful to have such a dedicated and supportive board working on behalf of the membership and their crafts. While our other board members haven’t been mentioned in this particular missive, I would also like to acknowledge board members Roseanne Liang, Phil Gore, Francis Glenday, and of course President Howard Taylor for their tireless efforts on behalf of the Guild. As well, we should recognise the invaluable contribution made by Advisory Board member and ex-board member Grant Campbell who represents the Guild on the board of the Australian Screen Directors Authorship Collecting Society and input into our Copyright Submission.

Finally, we can announce that editor Margot Francis and director Robyn Paterson have joined the DEGNZ board, replacing directors Helena Brook and Zoe McIntosh, who both had to step down because of work/personal commitments.

Tui Ruwhiu
Executive Director

Screenlink: Inside Editing Mortal Engines

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Inside Editing Mortal Engines

Join Editor Jonno Woodford-Robinson and 1st Assistant Editor Dan Best for the rare chance to have an informal look inside the engine room of a multi million dollar VFX heavy feature. Jonno and Dan will be chatting with Annie Collins over coffee and croissants about handling the logistics involved, the big editorial team required, media walkabout, the skills, the deadlines. The highs and lows of big projects, and surviving a long, long timeframe.

WHEN:  Sat 4 May, 11AM – 12:30PM
WHERE:  Random Group – The Hub, 43 Hanson Street, Mt Cook, Wellington

RSVP Essential

This free event is open to DEGNZ members only and spaces are limited. Email tema@degnz.co.nz by Thursday 2 May to RSVP.