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After unveiling a brand new look and identity, Whānau Mārama: New Zealand International Film Festival has announced the highly-anticipated programme for its online and in cinema programme.

Congratulations to all of the Directors & Editors Guild of NZ members who have been selected to play in the 2020 festival! We strongly encourage you to support these filmmakers and your film community by packing out limited cinema screenings or renting Kiwi films to enjoy at home. DEGNZ members are eligible for concession prices where offered.

The Girl on the Bridge

Directed by member and NZ Arts Laureate Leanne Pooley and edited by DEGNZ board member Margot Francis, The Girl on the Bridge follows the inspiring journey of 21-year-old Jazz Thornton during the pivotal two-year period she was emerging out of her own struggles with suicide to become a powerful advocate for mental health.

The feature documentary is set to have its world premiere at NZIFF on July 25, 4pm at ASB Waterfront Theatre, then available online and in select venues.

 

The Girl on the Bridge

New Zealand’s Best 2020

This year, director Tusi Tamasese was the guest curator for this competitive short film programme, selecting the top six finalists. Four of the six feature the talents of DEGNZ members.

Set in 1973, Oranges & Lemons tells a bullied girl’s story to find her voice in the strangest place, directed by Robyn Grace and edited by Kerri Roggio.

Anna Duckworth‘s Pain, Claire van Beek‘s Daniel and Cian Elyse White‘s debut short Daddy’s Girl (Kōtiro) were made through the NZ Film Commission’s Fresh Shorts initiative. Pain explores a young girl’s earth-shattering realisation that her father is not invincible and is edited by member Brendon Chan.

Daniel will have its NZ premiere at Whānau Mārama after its world premiere at MIFF and in competition selection for Clermont-Ferrand International Short Film Festival. The film was edited by John Gilbert and member Conan Mornard-Stott.

Cut by Annie Collins, Daddy’s Girl (Kōtiro) is a story about the powerful love between a father and his daughter in the face of a painful truth.

The programme will be in cinema at select venues or online from July 26 – August 1. If you watch NZ’s Best, make sure you vote for the Audience Choice Award.

 

Oranges and Lemons, Pain, Daniel, Daddy's Girl (Kōtiro)

Ngā Whanaunga Māori Pasifika Shorts 2020

For the first time, Ngā Whanaunga will be a competitive programme. Purea is written and directed by Kath Akuhata-Brown. Māori elder Hamo must bear the burden of carrying the spirits of her ancestors to their sacred mountain.

Ngā Whanaunga will premiere in cinema on July 26 and is available to watch online from July 27 – 2 August.

 

Purea

Kiwi Shorts

Kiwi Shorts is a curation of six New Zealand shorts that the Festival promises will put a smile on your face. Garage Stories: A Strange Collective Experience of Isolation, directed by Catherine Bisley, captures our nation’s recent experience under Level 4 lockdown.

Two nine-year-old girls find an enterprising way to satisfy their craving for ice cream in Ruby Abbott HarrisTriple Scoop. The programme also features Missy Fishy from director Erin Murphy – a whimsical tale about Miss Fish, a super mum, who struggles to tame her otherworldly urges.

Available to rent from August 1 – 7.

 

Garage Stories, Triple Scoop, Missy Fishy

Rūrangi

Premiering at the Festival and directed by DEGNZ member Max Currie, Rūrangi is New Zealand’s first transgender drama series. Made by gender-diverse talent, the drama is about a burnt-out trans activist returning to the rural dairy community from which he fled ten years ago. All five episodes have been programmed together as a special festival presentation, which will have its world premiere in cinema at ASB Waterfront Theatre in Auckland, on July 26, 7pm. You can also rent it online between July 26 – August 1.

 

 

Tickets for the Festival’s premiere screenings go on sale from July 10 and rental options can be purchased from the first available screening date, starting July 25. If you’re planning to watch at home, NZIFF suggests you start getting ready: set up your account, test, browse and start planning.

Tema Pua
Events & Marketing Manager

Capital posterJoin DEGNZ and Rialto Cinemas for a Q&A screening of New Zealand documentary Capital in the 21st Century. Special guest director Justin Pemberton will be present for a half-hour audience Q&A after the film.

Adapting one of the most groundbreaking and powerful books of our time, Capital in the 21st Century is an eye-opening journey through wealth and power, that breaks the popular assumption that the accumulation of capital runs hand in hand with social progress, shining a new light on the world around us and its growing inequalities.

“Delivers an insightful and empowering journey through the past and into our future.” – Sydney Film Festival

Director Thom Zimny

Film director Thom Zimny (The Gift: The Journey of Johnny Cash) will lead a Masterclass for filmmakers in Auckland as part of NZIFF 2019.

This is the second time NZIFF has been able to provide a Masterclass designed for industry practitioners, thanks to an Artistic Development Partnership with Creative New Zealand. The Masterclass will take place on Thursday 1 August and will be run by the Directors & Editors Guild of New Zealand (DEGNZ) on behalf of NZIFF.

Thom Zimny, known for his award-winning documentaries, will take filmmakers inside his process from the research phase through to the edit with special focus on the edit process. Works discussed will include The Gift: The Journey of Johnny Cash and Elvis Presley: The Searcher.

Masterclass attendees are encouraged to see The Gift: The Journey of Johnny Cash at NZIFF beforehand (Tuesday 30 July or Wednesday 31 July).

Limited tickets for the Masterclass are on sale from Ticketmaster.

Masterclass with Thom Zimny

Thursday 1 August 2.00pm to 5.30pm

Venue: WG701, WG Building, AUT City Campus, 55 Wellesley Street East, Auckland Central 1010

Ticket prices: $30 Full price / $20 Industry guild concession*

About Thom Zimny

Thom Zimny is an award-winning artist, director, producer and editor. Working with Bruce Springsteen for the past 18 years, Zimny has directed documentaries including Bruce Springsteen’s High Hopes, The Ties That Bind and the newly released Springsteen On Broadway. He has previously directed and produced two feature length documentaries chronicling key chapters in Bruce Springsteen’s recording career, winning a Grammy for Wings For Wheels: The Making of Born to Run. In addition, Zimny edited three seasons of the highly acclaimed HBO series by David Simon, The Wire and helmed music videos for Bob Dylan, The Low Anthem and many others. The Gift: The Journey of Johnny Cash was made in collaboration with the Cash Estate, and premiered at this year’s SXSW Film Festival.

The Gift: The Journey of Johnny Cash

Auckland screenings featuring a Q+A with Thom Zimny

Tuesday 30 July, 6.15pm at ASB Waterfront Theatre

Wednesday 31 July, 3.15pm at ASB Waterfront Theatre

Wellington screenings

Saturday 3 August at 6.15pm at Soundings Theatre, Te Papa

Monday 5 August at 6.30pm at the Roxy Cinema

Tuesday 6 August at 2.15pm at the Roxy Cinema

 

* Apply the Industry code from your guild/association when booking.

Camino Skies

Enjoy New Zealand documentary Camino Skies at our next Film Talk in association with Rialto Cinemas. Director Fergus Grady will be present for a half-hour audience Q&A after the film.

The inspirational journey of six antipodean pilgrims between the ages of 50 and 80 who embark on the historic 800 kilometre Spanish pilgrimage. In the face of overwhelming odds, the Camino acts as a catalyst for catharsis and forces the group to defy their age and physical ability as they come to terms with recent loss. Heart-breaking and inspirational, Camino Skies is an uplifting story about everyday people doing the extraordinary.

“The Directors ability to capture intimate, poignant moments with subtlety and restraint while carefully crafting a narrative was both engaging and genuinely moving.” – Doc Edge Film Festival Judges Feedback

Icarus

This May, the Directors & Editors Guild of NZ is thrilled to present two days of feature documentary workshops for editors, directors and producers with US documentary filmmaker Doug Blush. Doug returns to New Zealand thanks to a partnership with Loading Docs.

DOUG BLUSH is an award-winning editor, director, producer, writer and cinematographer whose work includes over 130 feature and television projects, and is a member of the Academy of Motion Pictures Arts and Sciences (AMPAS) as well as the American Cinema Editors (ACE).

His recent credits include, as edit consultant, Notable Pictures’ The Chills: The Triumph and Tragedy of Martin Phillipps, as consulting editor and co-producer, the 2019 Academy Award winning Period. End Of Sentence, the 2018 Academy Award winning Icarus, and, as supervising editor, the 2013 Oscar-winning 20 Feet From Stardom, for which he also received the ACE Eddie Award for Best Documentary Editing. He was Co-Editor and Associate Producer of Kirby Dick’s The Hunting Ground in 2014, and the Oscar nominated and Emmy winning The Invisible War in 2012.

Doug co-owns MadPix Films, a production and post production company in Los Angeles dedicated to documentary and independent films. He is also a longtime film educator with classes and seminars at USC, UCLA, Syracuse University and the YoungArts Foundation in Miami, as well as exchanges and panels in Indonesia, Brazil, New Zealand, Armenia, Malaysia, Nigeria, China, the Netherlands and more.

Day 1: Masterclass on Producing and Editing a Winning Documentary

Sunday 19 May, 9am – 5pm, MTG RM, Kingsland, Auckland

In the world of documentary, the edit is crucial. This interactive Masterclass for editors, producers and directors will connect editing with the other crafts involved in documentary filmmaking.

The Masterclass will survey where we are and where we’re heading in documentary – using examples from over 15 years of award winning and widely distributed docs from Doug’s catalog of over 130 feature films. Participants will get to see how many major doc features and shorts made the most of great stories and overcame huge problems to succeed.

The day will discuss successful strategies for production, editing and post schedules, and promotion, distribution and festivals. Participants are also encouraged to discuss current issues they’re facing in their films, or questions about ideas in the planning stages.

Cost: DEGNZ members – Free, Non-members – $60

REGISTER NOW  >

Day 2: Project Lab

Monday 20 May, 9am – 4pm, MTG RM, Kingsland, Auckland

Call for Applications!

The Lab will consist of a group seminar with up to 6 selected teams with a feature documentary project in post-production. Editors may attend on behalf of their project or come as a team.

The day will focus on how to think about structure, character arcs and larger meanings of each film, and how to plan out an edit path with goals and benchmarks.

Participants will be asked to introduce their project with a logline summary and show a sample (based on where the project is) for group discussion and feedback in a confidential environment.

We will discuss each project, and go over the potential promising story directions and possible pitfalls of each. Doug will also draw on clips from his past docs to show how they may have dealt with similar issues in the edit and the shoot.

Cost: $85 / team; fee waived if the editor is a DEGNZ Full member

How to Apply for the Lab – Open to Editors

Lab Application Deadline: 4PM, Monday 13 May

STEP 1: Click here to apply using the registration form. You will need to supply details about your project (title, brief synopsis, links if any) and names of those on your team.

STEP 2: Send in PDF to tema@degnz.co.nz:

  • Your CV and/or bio
  • And a brief, maximum 1-page letter that summarises why you would like to attend with your project, and what stage it’s in currently.

Files must be sent before the deadline. Late or incomplete applications will not be accepted.

 

Doug’s visit is made possible thanks to our partner Loading Docs.

Workshops brought to you with the generous support of the New Zealand Film Commission.

NZFC