Posts

Director attachments on Vegas: Tim Worrall and Cian Elyse White

DEGNZ members Tim Worrall and Cian Elyse White have attached to new drama series Vegas with Greenstone TV under the Guild’s TV Drama Director Attachment Scheme.

Both attachments will get to follow their director from prep onwards, until the grade and sound mix.

Tim Worrall (Ngai Tūhoe, Te Arawa) is the successful Second Step attachment and will attach to director Mike Smith for his block, beginning in mid-October.

Cian Elyse White (Ngāti Pikiao, Tūhoe, Tainui, Te Whānau a Ruataupare) has been selected for the First Step attachment to Vegas lead director Kiel McNaughton. Cian is finishing the first week of her attachment, which goes until November 2.

We had an impressive response to our call for applications. DEGNZ warmly congratulates our newest attachments and thanks NZ On Air and Greenstone TV for supporting this initiative.


Tim Worrall

Tim has worked as a writer, director or consultant on a number of productions including: Pukana; Shortland Street; Jackson’s Wharf; Whalerider; Radiradirah; Kairakau; Only in Aotearoa; This is Piki; and Fresh. He is also a member of the Māori collective Steambox Films and has directed the award winning short films: The Road to Whakarae; Tits on a Bull; Meke; Koutuku Rerenga Rua; and Māori Time. Recently he has been a co-lead writer and director for the TV3 drama series Head High; writer of the feature film Whawhai Tonu – Struggle Without End (advanced development funding from NZFC); co-writer/director for anthology feature film Ngā Pouwhenua (scheduled for production February 2021); writer of the TVNZ documentary series Origins (currently screening on TV1); storyliner for TVNZ drama series Vegas; writer and director for Tappy, an episode of the new TVNZ supernatural drama series.

Tim Worrall

Cian Elyse White

Cian has had an extensive career in professional theatre, TV and film as an actress. In 2017, Cian wrote her Te Reo Māori short film Daddy’s Girl (Kōtiro) which received the Fresh 30K grant in 2018 and won the 2020 NZIFF Best Shorts audience award. Daddy’s Girl (Kōtiro) has also been selected for Show Me Shorts, ImagiNATIVE, Asinabka, Hawaiian International Film Festival and was the first NZ film to be selected for Geena Davis Bentonville Film Festival in August this year. In March 2020, Cian was one of eight selected to partake in FilmUP run by Script to Screen. Cian is currently in pre-production for her next short film PUHI.


Cian Elyse White

NZ On Air, DEGNZ and Greenstone TV logos

DEGNZ invites applications from directors for two TV Drama Director Attachments with Greenstone TV on the TVNZ 2 drama series Vegas.

Vegas will be produced by Greenstone TV Ltd in collaboration with 10,000 Company and Steambox Film Collective with support from NZ On Air. An action thriller, Vegas follows a young, untested leader who wants to free his people from the curse of methamphetamine, but finds he can’t do it on his own. The story is based on the novel Inside The Black Horse, and will be filmed in Rotorua.

The aim of the attachment programme is to:

  • develop and upskill new television drama directors,
  • contribute to the ongoing production of quality future television drama and
  • provide another training pathway to the limited opportunities currently available.

These attachments are for New Zealand directors who want to move into directing drama for television and already have significant directing experience.

Greenstone TV will train a first step director and a second step director. Each attachment will be present for the duration of the director’s block. Both attachments will attend HOD meetings, will be present for the whole of the director’s prep, receive training on preparation for the shoot, script mark-ups and rehearsals. Each attachment will have time in the edit suite with the director, and will be present for some of the on-line, including the grade and sound mix.

The prep and shoot for both directors will take place in Rotorua. Both attachments will be paid and their accommodation and per diems covered.

First Step Attachment

The successful candidate will attach to lead director Kiel McNaughton and needs to be available for prep and shoot from 21 September to 2 November 2020.

At the full discretion of the director and producer(s), the First Step attachment may be offered the opportunity to direct some scenes within the block.

Second Step Attachment

This Second Step attachment is intended for those directors with significant narrative experience who are ready to make the move into fast-turnaround TV drama, including those who have already done a First Step attachment under the DEGNZ TV Drama Attachment Scheme. The successful candidate will attach to director Mike Smith and needs to be available for prep and shoot from 12 October to 22 November 2020.

At the full discretion of the director and producer(s), the Second Step attachment may be offered the opportunity to direct a full episode within the block.

Eligibility

Applicants must have past dramatic narrative directing experience and a keen interest in television drama.

To be eligible, you MUST:

  1. Be a FULL member of DEGNZ, and
  2. Be a New Zealand citizen or permanent resident, and
  3. Have either:
    • Two short film credits publicly screened to a paying audience at an NZFC recommended short film festival*, OR
    • Held a position as the first assistant director of a publicly distributed and released feature film or TV drama series, OR
    • Significant experience directing scripted short-form narrative content (short film, webseries or commercials), OR
    • Won an award for a short film at an NZFC recommended film festival*.

*NZFC recommended film festivals

To apply

Please download the application cover sheet and checklist (PDF 126KB), and submit the following in a single PDF by 5PM, Wednesday 26 August 2020 to admin@degnz.co.nz with ‘Vegas Attachment’ in the subject line:

  1. Completed Application Cover Sheet with links to examples of your directing work. You may provide excerpts from longer-form work. NO showreels.
  2. A CV with a bio and filmography
  3. A reference (from a senior screen industry practitioner)
  4. A maximum 1-page letter that tells us why you think you are suitable for the attachment and what you hope to gain from it.

We will ask you to indicate on the cover sheet which attachment you are most interested in applying for. Shortlists will be developed from applicants. An interview may or may not be required.

DEGNZ will notify you as to whether or not your application has been successful at the latest by 7 September, but no further correspondence will be entered into regarding your application and the decision will be final.

Questions?

Please contact us if you have any questions about the attachments or application requirements.


This initiative is made possible with the support of NZ On Air and Greenstone TV Ltd.

View from the Top banner

On Wednesday evening, Associate Minister for Arts, Culture and Heritage, Carmel Sepuloni, together with the Minister for Economic Development, Phil Twyford, and Minister for Broadcasting, Kris Faafoi, announced the Screen Sector Recovery package. Included was $140 million previously announced in the budget, being $115 million to the international NZ Screen Production Grant, with $25 million to the domestic Screen Production Grant for local productions.

The rest of the announcement was new funding, but how much and where it went was clear as mud. As far as I can figure out it breaks down like this:

  • $15.4 million to NZFC with $2 million allocated to cultural capability funding and the rest to recovery for production affected by COVID.
  • In a guess on my part, $8 million to NZ On Air for production affected by COVID.
  • $50 million in a new fund to be dedicated to high-end drama and film projects, targeting streamers it would seem, with criteria still to be developed.
  • An additional $25 million, which seems to have materialised out of nowhere, for NZ On Air to spend over four years for Pacific, student and disability broadcast media.

The elephant in the room, though, is insurance. Without it, no new high-end drama or feature film will be able to get up without a major studio willing to bankroll the whole thing and take the associated risk that COVID has brought.

How to get insurance and completion bonds for production is a global problem putting the brakes on production everywhere. The insurance industry has already been hit with massive COVID-associated claims. Consequently, insurers won’t issue insurance to cover COVID-19.

Screen industries around the world are hatching various plans to deal with the insurance issue, but they all, to a greater or lesser degree, come down to one thing: government underwriting of insurance.

The New Zealand Film Commission commissioned the Screen Production and Development Association (SPADA) to write a paper for Government to outline the issues and justify the call for Government to come up with a solution that would allow new drama and feature film projects to get up. While the new funding announced on Wednesday night was welcomed by everyone, a significant number of those in attendance at the Beehive waited with bated breath for a Government response to the insurance issue. It never came.

Small productions and those that had existing insurance coverage prior to COVID will get made, but independent production everywhere needs the insurance problem solved. That includes any NZ On Air funded drama soon to be announced from the last round. Without an insurance solution or a studio willing to take on the risk, we could all be watching a lot more low-budget short-form web series to satisfy our scripted desires.

Unfortunately, we are still waiting cap in hand for the Government to come to the rescue. If they do, we will then truly be able to take advantage of the very fortunate position we find ourselves in as a screen industry in comparison to the rest of the world.

Here’s hoping.

Tui Ruwhiu
Executive Director

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our third DEGNZ Drama Editor Attachment. The successful candidate will attach to editor Peter Roberts on feature film Juniper, directed by Matthew Saville, and produced by Desray Armstrong and Angela Littlejohn.

Since relocating from the United Kingdom, Peter Roberts has made his mark in New Zealand as an editor. Roberts found his editing niche at TVNZ, before a prolific freelance career saw him cutting a string of documentaries, shorts, and features — including award-winning drama The Dark Horse. In 2013 he became the first editor to be elected President of the Directors and Editors Guild of New Zealand. Peter’s other credits include Sam kelly’s feature Savage, due for release in NZ in 2020 following its world premiere in 2019 at the Busan International Film Festival; hit NZ – Aus. TV drama series Cleverman; telefeature Jean, helmed by Rob Sarkies; and Bryn Evans directed feature doc. Hip Hop-eration.

The DEGNZ Drama Editor Attachment initiative is targeted at editors who wish to move into feature film editing. Its purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience.
  • receive feedback and mentoring from an experienced feature film editor in a safe environment.

The opportunity for the attachment to get limited hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production.

This is a paid Auckland-based attachment and requires the successful candidate depending on experience and flexibility to start at the earliest in February 2020. If non-Auckland based, the candidate must cover their own travel and living costs. They are also required to be a Full member of DEGNZ for the duration of their attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first week is expected to be full time.

Eligibility

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting in February
  5. Most importantly, have a passionate desire to become a feature film editor

To Apply

Application Deadline: 5PM, Friday 17 January 2020

Send your application in a single PDF to admin@degnz.co.nz with ‘Editor Attachment’ in the subject line.

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • your CV and filmography, including links to a showreel/video samples that illustrate your dramatic narrative work
  • a completed Editor Attachment Application Cover Sheet.

Download the Editor Attachment Application Cover Sheet

DEGNZ will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

This attachment is brought to you with the generous support of the New Zealand Film Commission.

 

The Gulf

Call for Applications – Deepen your knowledge of the craft in this Directors Toolkit with experienced director Charlie Haskell. The two-day workshop, run by the Directors & Editors Guild of NZ, will be held in Wellington on 16 – 17 November.

Charlie Haskell will provide a practical guide to emerging directors as to what the craft of directing is really all about. It will cover such topics as understanding the script, telling the story visually, inspiring great performances and running an inspirational set. There will be an emphasis on effective communication and how to get the best out of the creative team, and of course, how to deal with the ticking clock.

About Charlie Haskell

Charlie HaskellCharlie has been a freelance director in the New Zealand film and television industry for the past 25 years, initially specialising in action as a 2nd Unit Director (Hercules, Xena: Warrior Princess), before moving on to drama. He has directed on a wide variety of NZ and international productions, such as Power Rangers, The Almighty Johnsons, telefeature Tangiwai – A Love Story and docudrama Pirates of the Airwaves. He has worked on three seasons of the Starz network show Ash vs Evil Dead in the dual role of 2nd Unit Director/Associate Producer. Recently, Charlie directed two episodes of the Danish/NZ co-production Straight Forward, as well as being lead director on Germany/NZ co-production The Gulf. He is passionate about projects that combine great storytelling with global outreach.

Workshop Details

Price:
DEGNZ member – Free
Non-member – $180

Lunch and refreshments provided

When:
Saturday 16 November 2019, 9am – 5pm
Sunday 17 November 2019, 9am – 4pm

Where: Te Kāhui Auaha (New Zealand Film and Television School), 65 Dixon St, Te Aro, Wellington

To Apply

Applications Close: 9AM, Friday 1 November 

STEP 1: Complete the registration form below.

STEP 2: Send in one PDF to tema@degnz.co.nz:

  • your bio and CV/filmography, and
  • a brief, maximum 1-page letter that summarises why you would like to participate and what you hope to gain from the workshop.

Late or incomplete applications will not be accepted.

Travel Allowances
DEGNZ Full members may apply for financial assistance of up to $250 (incl. GST) towards their travel costs.

  • DEGNZ has up to 2 travel allowances available for this workshop.
  • Applicants must live outside the Wellington region.
  • For further information and criteria, see here.

Registration Form

 

Loading…

 

Refund Policy: Requests for refunds must be received by Sunday 10 November. Refunds can take up to approximately 10 working days to process.

 

This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC