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Directors Toolkit with Charlie Haskell – Wellington

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The Gulf

Call for Applications – Deepen your knowledge of the craft in this Directors Toolkit with experienced director Charlie Haskell. The two-day workshop, run by the Directors & Editors Guild of NZ, will be held in Wellington on 16 – 17 November.

Charlie Haskell will provide a practical guide to emerging directors as to what the craft of directing is really all about. It will cover such topics as understanding the script, telling the story visually, inspiring great performances and running an inspirational set. There will be an emphasis on effective communication and how to get the best out of the creative team, and of course, how to deal with the ticking clock.

About Charlie Haskell

Charlie HaskellCharlie has been a freelance director in the New Zealand film and television industry for the past 25 years, initially specialising in action as a 2nd Unit Director (Hercules, Xena: Warrior Princess), before moving on to drama. He has directed on a wide variety of NZ and international productions, such as Power Rangers, The Almighty Johnsons, telefeature Tangiwai – A Love Story and docudrama Pirates of the Airwaves. He has worked on three seasons of the Starz network show Ash vs Evil Dead in the dual role of 2nd Unit Director/Associate Producer. Recently, Charlie directed two episodes of the Danish/NZ co-production Straight Forward, as well as being lead director on Germany/NZ co-production The Gulf. He is passionate about projects that combine great storytelling with global outreach.

Workshop Details

Price:
DEGNZ member – Free
Non-member – $180

Lunch and refreshments provided

When:
Saturday 16 November 2019, 9am – 5pm
Sunday 17 November 2019, 9am – 4pm

Where: Te Kāhui Auaha (New Zealand Film and Television School), 65 Dixon St, Te Aro, Wellington

To Apply

Applications Close: 9AM, Friday 1 November 

STEP 1: Complete the registration form below.

STEP 2: Send in one PDF to tema@degnz.co.nz:

  • your bio and CV/filmography, and
  • a brief, maximum 1-page letter that summarises why you would like to participate and what you hope to gain from the workshop.

Late or incomplete applications will not be accepted.

Travel Allowances
DEGNZ Full members may apply for financial assistance of up to $250 (incl. GST) towards their travel costs.

  • DEGNZ has up to 2 travel allowances available for this workshop.
  • Applicants must live outside the Wellington region.
  • For further information and criteria, see here.

Registration Form

 

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Refund Policy: Requests for refunds must be received by Sunday 10 November. Refunds can take up to approximately 10 working days to process.

 

This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

DEGNZ Announces Incubator Participants

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DEGNZ is thrilled to announce the selection of the Emerging Women Filmmakers Incubator participants for 2019.

Once again we have a stellar group of women directors who have shown considerable talent in their areas of endeavor. We look forward to welcoming them to the Incubator, which is designed to provide them with information, knowledge and networks so that they can advance their projects and professional skills, with the aim of seeing them go on to sustainable careers as directors.

This is the third year that DEGNZ has run the Incubator, made possible with the financial assistance of the New Zealand Film Commission and Vista Foundation.

The participants for 2019:

 

ANNA DUCKWORTH has a Bachelor of Communications Studies, Major in Video Production, Minor in Advertising from AUT University. She’s worked in film and television for almost a decade in both New York City and Auckland. Her focus early on was Producing, but she has recently moved her focus to writing and directing.

Anna wrote and directed three self-funded short films: Fomo (2011), Full Disclosure (2016) and Mum Jeans (2017), which screened at the 2018 New Zealand International Film Festival.

After working as a script advisor on not-safe-for-work feminist web series Psusy, Anna was invited to direct season 2, which went on to screen at New Orleans Film Festival, Seattle Webfest, DC Webfest, Melbourne Web Series Festival and won the Best Episodic Jury Prize at the 2018 LA Film Festival.

In 2018, Anna was granted production funding for two projects as writer/director. The first was an NZFC Fresh Short film Pain. The second was part of the TVNZ New Blood initiative, Butt Dial, a six-part web series.

Anna has twice won Best Director at 48Hours Competition, with her team being three time National Finalists.

Anna Duckworth

MARINA ALOFAGIA MCCARTNEY was born and raised in Manukau City, New Zealand. From a Geordie father, Samoan mother and Cook Islands step-mother, she is powerfully aware of her cultural heritage, how this affects the way we are viewed and how we view others.  After just over a decade in the fashion industry, as Miss New Zealand and one of the few fashion models of Pacific descent, she returned to the University of Auckland to study film and graduated with a MA (First Class Honours).

She is an award-winning filmmaker with films featuring in over 30 festivals, including Palm Springs ShortFest, NZ’s Best Short Film in the NZ International Film Festival, ImagiNATIVE, Hawai’i International Film Festival and the NZ Script Writer Awards.  Her latest film Vai, a portmanteau feature film made with another 8 Pacific female writer and directors, is currently doing the festival rounds, opening the NATIVe section at the 2019 Berlinale, SXSW and Māoriland with other festivals to follow.

Marina is an experienced teaching fellow, formally based at Pacific Studies, University of Auckland, and her academic areas of expertise are Pacific Studies, Pacific filmmaking, Pacific representation on screen and representations of the Pacific woman.  She is also a PhD candidate exploring Pacific filmmaking at AUT University, proud mother to her daughter, Alena Sevai, and is currently working on her feature film, The Return.

Marina McCartney

JESSICA SANDERSON is a director from a design and theatre background. Of Māori and Pākehā descent, the varied lives of her family influence the stories she tells – the majority of which are about the people of Aotearoa and the wider Pacific.

Jessica has a Bachelor of Performance Design, a joint degree from both Massey University and Toi Whakaari: New Zealand Drama School, which has influenced the strong visual and conceptual approach she applies to her projects. She has created music videos for some of Aotearoa’s most prolific artists, including; Aaradhna, Shapeshifter, Stan Walker, Tama Waipara, Ria Hall, Kora and more.

Jessica has recently finished her first short film Ways To See, funded by the New Zealand Film Commission and produced by her long-time collaborator Desray Armstrong (Sandy Lane Productions). She is currently directing an eight-part documentary television series called Moko produced by Velvestsone Media and is in script development for a feature film Wai.

JessicaSanderson

CLAIRE VAN BEEK is a writer/director from Banks Peninsula, New Zealand. After graduating from Toi Whakaari: NZ Drama School with a Bachelor in Performing Arts, Claire worked on TV commercials with Jake Scott (Alien, Welcome to the Rileys) and Garth Davis (Lion, Top of the Lake) as well as writing and acting for theatre. After becoming a “NZ Young Playwright of the Year” Claire moved into film.

Recently, Claire travelled to Portland to work with Debra Granik (Winter’s Bone) on Debra’s latest film Leave No Trace before returning to Aotearoa to shoot her NZFC Fresh Shorts funded film DANIEL, edited by Oscar winner John Gilbert (Lord of the Rings, Hacksaw Ridge).

Claire’s  focus is on female-centric, visually distinctive stories.  She is currently in preparation for her next films Black Camel (Fresh Short finalist), The Mill and The Milkman, and is in development for her first feature.

Claire van Beek

URSULA WILLIAMS gained a Bachelor of Communications (majoring in television directing) and Honours in Documentary Film at AUT University.

She went on to direct and produce  The King,  a short documentary film, as a part of her Master’s thesis (taking first-class honours). The King won the audience award at the NZIFF for best short and showcased at the Sydney Film Festival 2016. The same year, Ursula won the Inaugural Bright Sunday Emerging Pasifika Director Award with this film at the Wāiroa Maori Film Festival.

In 2017, Ursula produced and directed selected  Surreal Estate  for Loading Docs (2017), and for the WIRELESS Aupito – The High Chief, which picked up a bronze at the NZ Cinematographer Awards.

Ursula currently works for VICE New Zealand. Her most recent documentary  Deportees of Tonga: Gangster’s in Paradise, has so far been viewed by over five million people worldwide one month after release. The series Zealandia, which she also produced and directed, has been picked up by networks globally, and received more than 10 million views. Zealandia was nominated for an array of awards including  Best News Video, Best Feature Video, Best Editorial Feature  and  Best Team Video  at New Zealand’s 2019 Voyager Media Awards.

Ursula Williams

Directors Toolkit with Jason Stutter – Queenstown

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Director Jason Stutter

Innovative New Zealand director Jason Stutter leads this two-day workshop offering a practical guide to directing for emerging directors of short films and feature-length projects. The Directors Toolkit aims to establish a professional approach to filming and underline the keys to good work.

Over the weekend, we will cover working with professional actors, non-actors, and different scales of production crew. We will take you through pre-production, casting, production, post-production and how to get your final film out into the world of festivals and markets.

 

About Jason Stutter

Jason Stutter’s first movie was cult kung-fu caper Tongan Ninja (2002). Since then he has alternated features – self-funded comedy Edwin: My Life as a Koont, stylish Ronald Hugh Morrieson adaptation Predicament – with shorts, including the hit Careful… series beginning with Careful with that Axe, riffing on the dangers of inattentive tool use. His most recent feature, haunted house tale The Dead Room, was released in New Zealand in 2015.

 

When:
Sat 4 May, 9am – 5pm
Sun 5 May, 9am – 3:30pm

Where: Sherwood Queenstown, 554 Frankton Road, Queenstown 9300

A travel allowance may be available to DEGNZ members travelling from out of town with preference given to South Island members.

Class: 20 max

Film Otago Southland will also be hosting a Film Industry Networking Night at the Sherwood on Saturday 4 May at 5:30pm. This will be a chance for workshop attendees and local industry alike to meet and mingle in the cosy warmth of the Sherwood over a drink and some nibbles! All are welcome (you don’t need to attend the workshop to come along), and there is no cost. RSVP to the Film Industry Networking Night, here.

 

Workshop Enrolment

Cost: DEGNZ members – Free, Non-members – $100
Lunch and refreshments provided each day.

For non-members, payment must by made in full prior to the start of the workshop to confirm a booking. We accept payment by credit/debit card and direct credit.

Make a Booking:  

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Cancellation and Refunds: Cancellations will be accepted up until 24 hours before the workshop start time. If you wish to receive a refund, you must advise DEGNZ by Tuesday 30 April. A $3.00 cancellation fee will be incurred. Payments will be refunded in full if DEGNZ cancels the workshop. Refunds can take up to approximately 10 working days to process.

 

This workshop is presented by the Directors & Editors Guild of NZ with the support of Film Otago Southland and funding from the NZ Film Commission.

DEGNZ logoFilm Otago Southland

 

 

 

 

NZFC

Directors Toolkit with Danny Mulheron – Auckland

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Danny Mulheron in Wellington

Call for applications. The Directors & Editors Guild of NZ presents a two-day practical guide for emerging directors to be held in Auckland on 15-16 September.

New Zealand director Danny Mulheron will draw on his extensive experience to deliver this interactive and informative workshop, which ran in Wellington last year.

Day One topics will include:

  • The Director and the Script, Or: God I’m bored, why?
  • Text, Subtext and Context, Or: “Help, I’m struggling for depth?”
  • Observing Human Behaviour and Emotions, Or: On preferring what you don’t want…and recognising it.
  • The #1 Secret of the Actor/Director Relationship, Or: Don’t fall in love with them…too much?
  • Tools of the Director, Or: How to keep out of the way. It’s what you don’t do that counts.

Day Two will guide participants on working with actors, script reads, rehearsing, shooting and blocking through the use of demonstration and class exercises.

Lunch and refreshments provided.

About Danny Mulheron

Danny MulheronSince his graduation from the New Zealand Drama School in 1983, Danny has become an experienced director, writer and actor in all mediums – stage, screen and television. He is known as an ‘actor’s director’ due to his particular strength in directing actors and getting extraordinary performances.

Danny has directed award-winning television dramas, feature-length documentaries and smash hit theatre productions. The most recent work aired in NZ was Why does love?, a rock and roll movie about Kiwi rock band The Dance Exponents. Prior to that he directed all six episodes of the Hillary TV series for TVNZ. Other TV movies include The Kick, Rage and EruptionFresh Meat was a lesbian cannibal grind house movie for the Gibson Group, which made it to the NYC Tribeca Film Festival.​

He is currently in pre-production for Runaway Millionaires a TV movie for TVNZ and then moves immediately into Jonah. This is a 2 x 90 minutes TV drama for TV3, the story of Jonah Lomu. As a writer, he has two other screenplays in early development.

When:
Saturday 15 September,  9am – 5pm
Sunday 16 September, 9am – 4pm

Where: MTG RM, 2 Kingsland Terrace, Kingsland, Auckland

A travel allowance may be available for some DEGNZ members travelling from out of Auckland.

Cost: DEGNZ members – Free, Non-members – $100

To Apply

Application Deadline: 3PM, Wednesday 5 September

STEP 1: Submit the form below.

STEP 2: After Step 1, you will be redirected to the File Upload page. Upload your application file(s). Submit before the deadline:

  • your CV/filmography with links to samples of your work
  • a maximum one-page letter on why you would like to participate

Late applications will not be accepted.

 

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This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

Applications Open: Directors Toolkit with Jason Stutter – Bay of Plenty

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Director Jason Stutter

Directors Toolkit

Award-winning director Jason Stutter leads this two-day workshop, offering a practical guide to directing for emerging directors. The Directors Toolkit aims to establish a professional approach to filming and underline the keys to good work.

Over the weekend, we will cover working with professional actors, non-actors, and different scales of production crew. We will take you through pre-production, casting, production, post-production and how to get your final film out into the world of festivals and markets.

Lunch and refreshments provided.

About Jason Stutter

Jason StutterJason Stutter’s first movie was cult kung-fu caper Tongan Ninja (2002). Since then he has alternated features – self-funded comedy Edwin: My Life as a Koont, stylish Ronald Hugh Morrieson adaptation Predicament – with shorts, including the hit Careful… series, riffing on the dangers of inattentive tool use. His most recent feature, haunted house tale The Dead Room, was released in New Zealand in 2015.

When:
Sat 8 September, 9am – 5pm
Sun 9 September, 9am – 4pm

Where: Ignition Coworking Space, 29 Grey Street, Tauranga

Cost: DEGNZ members – Free, Non-members – $100 (payable upon successful application)

Class: 20 max

Event Cancellation: We regret to inform everyone that this workshop has been cancelled at this time due to insufficient numbers. DEGNZ sincerely apologises for any inconveniences to applicants or those wishing to apply. We hope to offer this Directors Toolkit in 2019. 

 

This workshop is brought to you by the Directors & Editors Guild of NZ and Bay of Plenty Film.

DEGNZ logo  BOP Films logo