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Writer and director Nic Gorman (DEGANZ) has received funding towards his second feature film The Letting Go.

Nic’s 2017 feature film Human Traces premiered at the prestigious Toronto International Film Festival. He hopes to shoot his next film in present-day Christchurch over six weeks in Autumn next year.

The Letting Go is a science fiction film set in the near future where 50% of the world’s children become ‘shells’ once they hit puberty, falling into a permanent catatonic state with no hope of return. The story centres around Tess who negotiates the uncertainty that comes with parenting a pre-teen child in this world.

Nic Gorman’s film is one of five projects that received local funding from the Screen CanterburyNZ Production Grant round. Launched in July 2021, the purpose of the fund is to encourage screen productions to locate themselves and film in the Waitaha Canterbury region, at the same time stimulating sustainable economic growth for Christchurch. The second round is now accepting Scripted and Factual content from national and international filmmakers (closing Oct 28).

View of a beach coastline

Congratulations to our members who have been selected to take part in this year’s Story Camp Aotearoa — director Max Currie with Refuge and documentary director Gwen Isaac with Siouxsie with an X.

Story Camp is a development lab tailored to meet the needs of independent filmmakers and their feature film projects. This year Script to Screen received 76 applications and, after a rigorous shortlist process, nine projects made it in.

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The New Zealand International Film Festival has announced that local shorts will also screen before selected feature films in Auckland and Wellington, on top of the NZ’s Best and the Ngā Whanaunga Māori Pasifika short film sections. Keep an eye out for these five short films by DEGNZ members.

The Man Downstairs

Director/producer and DEGNZ member Grant Lahood will have his short The Man Downstairs  screened this year during the festival. The premise is mysterious as young couple Jess and Tom move into the perfect new apartment upstairs from their landlord Colin, but then things start getting strange.

Marieville

Grant Lahood also has another short film screening, one he wrote, directed and produced called Marieville. Marieville is centred around Karen and a sudden encounter with an icon from her past that conjures evocative memories of her late father and his passion for a model Mississippi paddle boat.

The Meek

The storyline for The Meek simply couldn’t be more timely: in a twist of chromosomes and fate, young Izzy may also be the key to humanity’s future in a world ravaged by a deadly virus. The short film set to screen at this year’s festival is directed and written by DEGNZ member Gillian Ashurst and edited by Jonathan Woodford-Robinson.

Munkie

DEGNZ board member Steven Chow will see his film Munkie screened in Auckland and Wellington during the festival too. Steven wrote, directed and edited Munkie which tells the story of Rose and her violent plan for revenge against her domineering tiger parents.

Peninsula

In the film Peninsula, Mark is pushed out of his comfort zone while trying to reconnect with his estranged son Toby and deal with his new neighbour Amber who does things differently. Written and directed by Fiona McKenzie and edited and produced by Scott Flyger, Peninsula has done extremely well internationally and we are excited to have it screen on our shores again.

 

We are really pleased to share with our members our latest standard agreement.

We have designed the Standard Feature Film Editing Agreement to establish fair terms and conditions between editors and producers.

Now available to members under Resources. Please make sure that you read and understand the Guild’s accompanying advice before using the standard agreement:

Before using it, please read ALL of the agreement carefully so that you understand it.

It is made available in MS Word format so that you can enter the basic information and present it to the engager (producer).

In negotiating your terms and conditions with the engager, you or they will insert or change the text and or terms and conditions of the agreement. Such changes will vary the document away from this standard agreement template. You MUST ALWAYS note where those changes are made and understand them, as they could weaken your terms and conditions. The Track Changes function in MS Word is useful for this but you or the engager may not use it.

Before signing your agreement, make a FULL AND DETAILED comparison against the standard agreement so that you know where any changes have been made.

The 2021 Whānau Mārama: New Zealand International Film Festival has announced an impressive lineup of New Zealand feature films. More than a few DEGNZ members have had their films selected and we would like to congratulate each and every member. We can’t wait to see your mahi on the big screen!

This is the first part of our NZIFF 2021 members round-up.

Millie Lies Low

Premiering to the world this year, Michelle Savill’s feature film directorial debut, Millie Lies Low (pictured above), tells the story of an architecture grad accepted into a prestigious internship who panics, misses her flight and fakes being in New York while hiding out in her hometown.

Rohe Kōreporepo – The Swamp, the Sacred Place

Over the past 150 years, 90% of Aotearoa’s swaps have been drained – a tragedy considering they are among the world’s most valuable and bio-diverse ecosystems. Exploring the re-flooding, re-creation and restoration of our wetlands, Rohe Kōreporepo – The Swamp, the Sacred Place is a documentary most befitting the global crisis of our time and was edited by Gaylene Barnes.

There Is No I in Threesome

Following a critically acclaimed US premiere on HBO max, the documentary There Is No I in Threesome returns home for its theatrical world premiere on the big screen. Another milestone for DEGNZ members, director Jan Oliver Lucks and our board member Francis Glenday who cut the film.

 

A Mild Touch of Cancer

Annie Goldson directed, produced and wrote the screenplay for A Mild Touch of Cancer. David Downs survived cancer and is dedicated to helping fellow New Zealanders face their own cancer journeys. These are their stories. A Mild Touch of Cancer will have its theatrical premiere at the festival this year. With an impressive twenty year career and multiple awards under Annie’s belt, we’re sure this will be an unmissable documentary.

Fiona Clark: Unafraid

Director Lula Cucchiara’s Fiona Clark: Unafraid unravels the legacy of a great New Zealand photographer whose work ensures that the history of marginalised queer communities in Aotearoa is never forgotten. This intimate portrait of a ground-breaking photographer will have its world premiere at NZIFF. This doco is edited by Anastasia Doniants, who was selected for our first ever DEGNZ Drama Editor Attachment in 2018, and Shailesh Prajapati was assistant editor.

Mark Hunt: The Fight of His Life

Described as an autobiographical rags-to-riches story, Mark Hunt: The Fight of His Life, shines a light on one of New Zealand’s most prolific sporting superstars. Veteran filmmaker Peter Brook Bell directs and Gary Sims edits this compelling and harrowing documentary, charting Hunt’s challenging childhood to his global success as the New Zealand MMA fighter and UFC champion.

Mothers of the Revolution

DEGNZ board member Margot Francis is one of four editors of the feature-length documentary Mothers of the Revolution, telling the story of a nineteen year protest where thousands of women from around the world came together at Greenham Common to take a stand against nuclear proliferation. This is the story of one of the longest protests in history!

Whetū Mārama – Bright Star

Aileen O’Sullivan is one half of the directing partnership of the documentary Whetū Mārama – Bright Star, telling the inspiring story of Sir Hekenukumai Ngaiwi Puhipi, aka Hek Busby, modern pioneer waka builder and navigator.

Patu!

To mark the 40th anniversary of the 1981 Springbok tour protests, Patu! will take to the big screen once more with this restored and remastered version, newly preserved by Ngā Taonga Sound & Vision. The team worked for nearly five years to bring this landmark film back to the big screen. First released in 1983 and cut by Annie Collins, we can’t wait to see it in the cinema once again!