Posts

DEGNZ Announces Incubator Participants

,

DEGNZ is thrilled to announce the selection of the Emerging Women Filmmakers Incubator participants for 2019.

Once again we have a stellar group of women directors who have shown considerable talent in their areas of endeavor. We look forward to welcoming them to the Incubator, which is designed to provide them with information, knowledge and networks so that they can advance their projects and professional skills, with the aim of seeing them go on to sustainable careers as directors.

This is the third year that DEGNZ has run the Incubator, made possible with the financial assistance of the New Zealand Film Commission and Vista Foundation.

The participants for 2019:

 

ANNA DUCKWORTH has a Bachelor of Communications Studies, Major in Video Production, Minor in Advertising from AUT University. She’s worked in film and television for almost a decade in both New York City and Auckland. Her focus early on was Producing, but she has recently moved her focus to writing and directing.

Anna wrote and directed three self-funded short films: Fomo (2011), Full Disclosure (2016) and Mum Jeans (2017), which screened at the 2018 New Zealand International Film Festival.

After working as a script advisor on not-safe-for-work feminist web series Psusy, Anna was invited to direct season 2, which went on to screen at New Orleans Film Festival, Seattle Webfest, DC Webfest, Melbourne Web Series Festival and won the Best Episodic Jury Prize at the 2018 LA Film Festival.

In 2018, Anna was granted production funding for two projects as writer/director. The first was an NZFC Fresh Short film Pain. The second was part of the TVNZ New Blood initiative, Butt Dial, a six-part web series.

Anna has twice won Best Director at 48Hours Competition, with her team being three time National Finalists.

Anna Duckworth

MARINA ALOFAGIA MCCARTNEY was born and raised in Manukau City, New Zealand. From a Geordie father, Samoan mother and Cook Islands step-mother, she is powerfully aware of her cultural heritage, how this affects the way we are viewed and how we view others.  After just over a decade in the fashion industry, as Miss New Zealand and one of the few fashion models of Pacific descent, she returned to the University of Auckland to study film and graduated with a MA (First Class Honours).

She is an award-winning filmmaker with films featuring in over 30 festivals, including Palm Springs ShortFest, NZ’s Best Short Film in the NZ International Film Festival, ImagiNATIVE, Hawai’i International Film Festival and the NZ Script Writer Awards.  Her latest film Vai, a portmanteau feature film made with another 8 Pacific female writer and directors, is currently doing the festival rounds, opening the NATIVe section at the 2019 Berlinale, SXSW and Māoriland with other festivals to follow.

Marina is an experienced teaching fellow, formally based at Pacific Studies, University of Auckland, and her academic areas of expertise are Pacific Studies, Pacific filmmaking, Pacific representation on screen and representations of the Pacific woman.  She is also a PhD candidate exploring Pacific filmmaking at AUT University, proud mother to her daughter, Alena Sevai, and is currently working on her feature film, The Return.

Marina McCartney

JESSICA SANDERSON is a director from a design and theatre background. Of Māori and Pākehā descent, the varied lives of her family influence the stories she tells – the majority of which are about the people of Aotearoa and the wider Pacific.

Jessica has a Bachelor of Performance Design, a joint degree from both Massey University and Toi Whakaari: New Zealand Drama School, which has influenced the strong visual and conceptual approach she applies to her projects. She has created music videos for some of Aotearoa’s most prolific artists, including; Aaradhna, Shapeshifter, Stan Walker, Tama Waipara, Ria Hall, Kora and more.

Jessica has recently finished her first short film Ways To See, funded by the New Zealand Film Commission and produced by her long-time collaborator Desray Armstrong (Sandy Lane Productions). She is currently directing an eight-part documentary television series called Moko produced by Velvestsone Media and is in script development for a feature film Wai.

JessicaSanderson

CLAIRE VAN BEEK is a writer/director from Banks Peninsula, New Zealand. After graduating from Toi Whakaari: NZ Drama School with a Bachelor in Performing Arts, Claire worked on TV commercials with Jake Scott (Alien, Welcome to the Rileys) and Garth Davis (Lion, Top of the Lake) as well as writing and acting for theatre. After becoming a “NZ Young Playwright of the Year” Claire moved into film.

Recently, Claire travelled to Portland to work with Debra Granik (Winter’s Bone) on Debra’s latest film Leave No Trace before returning to Aotearoa to shoot her NZFC Fresh Shorts funded film DANIEL, edited by Oscar winner John Gilbert (Lord of the Rings, Hacksaw Ridge).

Claire’s  focus is on female-centric, visually distinctive stories.  She is currently in preparation for her next films Black Camel (Fresh Short finalist), The Mill and The Milkman, and is in development for her first feature.

Claire van Beek

URSULA WILLIAMS gained a Bachelor of Communications (majoring in television directing) and Honours in Documentary Film at AUT University.

She went on to direct and produce  The King,  a short documentary film, as a part of her Master’s thesis (taking first-class honours). The King won the audience award at the NZIFF for best short and showcased at the Sydney Film Festival 2016. The same year, Ursula won the Inaugural Bright Sunday Emerging Pasifika Director Award with this film at the Wāiroa Maori Film Festival.

In 2017, Ursula produced and directed selected  Surreal Estate  for Loading Docs (2017), and for the WIRELESS Aupito – The High Chief, which picked up a bronze at the NZ Cinematographer Awards.

Ursula currently works for VICE New Zealand. Her most recent documentary  Deportees of Tonga: Gangster’s in Paradise, has so far been viewed by over five million people worldwide one month after release. The series Zealandia, which she also produced and directed, has been picked up by networks globally, and received more than 10 million views. Zealandia was nominated for an array of awards including  Best News Video, Best Feature Video, Best Editorial Feature  and  Best Team Video  at New Zealand’s 2019 Voyager Media Awards.

Ursula Williams

Call for Applications: DEGNZ Women Filmmakers Incubator 2019

,
DEGNZ

DEGNZ is pleased to be able to offer the Women Filmmakers Incubator for a third year in 2019. We now welcome applications from female directors to be a part of this programme.

Background

The overall vision of the DEGNZ Women Filmmakers Incubator is to empower the participating directors with the confidence, knowledge and connections that they can use to go on and direct a feature film, drama or scripted series.

The Incubator is intended primarily for emerging debut directors of feature film (drama or documentary), but will also consider those wishing to establish careers in TV drama and scripted content.

Applicants must apply with a project, but the Incubator is primarily focused on filmmaker development, not project development.

The objectives of the Incubator are:

  • Improve writers and/or directors’ understanding of the business of film and television drama.
  • Increase the number of women directing features and TV drama.
  • Connect producers, broadcasters and funders with female directors with a view to getting more female-centric stories into and through development.
  • Create networking opportunities for women directors to further their projects and careers.
  • Inspire and encourage women directors to passionately pursue feature film and drama directing careers through interaction with successful women who serve as role models.

The Incubator comprises five one-day workshops across an approximate 12-month period with the first scheduled to take place in March 2019.

The workshops are individually themed to provide specific knowledge, networks, skills, and inspiration that enable participants to advance themselves and their careers.

The DEGNZ Women Filmmakers Incubator in 2018.

Eligibility

All applicants will be expected to have a good level of directing experience with scripted content such as acclaimed web series, shorts with festival success, TV commercials, or broadcast content.

Applicants must:

  • Have an active project (feature film, documentary feature, telefeature, TV or web drama or scripted series) in development that has NEVER been presented to a broadcaster or funder. It is preferable that the project is at least at first draft script, but if not available there must be a detailed treatment for the project.
  • Have experience as a director of scripted content (drama, comedy) or documentary in the form of the project they are submitting, i.e. if you are applying with a narrative drama project, you must have experience directing narrative drama or if it’s comedy, experience directing comedy, etc.
  • For feature film, be a debut director.
  • Be available to participate in all workshops.

Application & Selection Process

A selection panel comprising DEGNZ board members and senior industry practitioners will shortlist candidates. Shortlisted candidates must be available for a one-on-one interview either in person or via Skype to be held around the end of February/early March 2019.

If shortlisted, you will be expected to immediately supply prior to the interview a detailed treatment of your project (different to your 1-page synopsis). The treatment needs to be within a minimum of 5-pages to a maximum of 10-pages.

Decisions will be final and no correspondence will be entered into. The Incubator participants will be selected from the shortlist following the interview—getting an interview does not imply that you have been selected for the Incubator.

Every Incubator participant must be a Full DEGNZ member for the full duration of the Incubator course.

The workshops will be held in Auckland. A travel allowance will be available for those successful applicants coming from other regions.

Application Requirements

  1. Completed DEGNZ Women Filmmakers Incubator Application Cover Sheet. Available here (updated)
  2. A one-page synopsis of the project with the ending revealed.
  3. A maximum two-page letter stating what your career goals are and why you want to participate in this Incubator.
  4. A one-page bio (not a CV).
  5. A filmography and links to completed work that supports the project you are including with this application.

How to Apply

Application Deadline: 4PM, Monday 25 February 2019

Compile your documents into one single PDF in the order matching requirements 1 – 5.

Give the single PDF the following naming convention: (YourName)_DEGNZWomenFilmmakersIncubator_2019

Send your application to admin@degnz.co.nz with DEGNZWFI2019 in the subject line.

 

The initiative is made possible thanks to the generous support of the New Zealand Film Commission and Vista Foundation.

NZFC

DEGNZ Announces Participants For Women Filmmakers Incubator 2018

, ,
DEGNZ

FOR IMMEDIATE RELEASE 

26 February 2018

The Directors & Editors Guild of New Zealand (DEGNZ) is delighted to announce the eight female directors who will participate in its second Emerging Women Filmmakers Incubator. They are:

Chantelle Burgoyne

Linda Darby-Coring

Hiona Henare

Abi King-Jones

Agnes Peel-McGregor

Lauren Porteous

Michelle Savill

Asuka Sylvie

“It was a difficult decision but we feel that we have with this group, filmmakers who show real promise in moving rapidly towards their first major projects and sustainable careers as directors.”“Once again the selection panel were impressed by the range of talented candidates who put themselves forward for this initiative,” said Executive Director of DEGNZ Tui Ruwhiu.

The Incubator is a targeted initiative designed to give emerging female directors the opportunity to build their knowledge, skills and networks as a means to advance their careers and projects in the screen industry.

Each workshop in the programme will bring in highly successful filmmakers and experts in a stepped approach that will develop participants’ confidence and capability to engage with the screen industry as they seek to get their own projects through development and into production.

The workshop series will start in Auckland in March 2018 and run through to year’s end.

This initiative is supported with financial assistance from the New Zealand Film Commission and Vista Foundation.

ENDS

For further information, please contact:

Tui Ruwhiu
Executive Director
Directors & Editors Guild of NZ
tui@degnz.co.nz
021-659-950

The New Zealand Film Commission invests in original and culturally significant films, encourages talented New Zealand filmmakers through developing career pathways and facilitating connections offshore, and works to increase the number of people seeing New Zealand films here and overseas.  It supports the growth of economic activity and helps ensure New Zealand has sustainable screen sector businesses operating within an internationally competitive screen sector.  The NZFC also helps negotiate co-production treaties and certifies co-productions and New Zealand films for tax purposes. www.nzfilm.co.nz

The Vista Foundation was set up to foster a viable, successful, and inclusive local film industry in New Zealand. By providing support and education for necessary skills and expertise, the Foundation encourages the production of exceptional works of New Zealand cinema, and the extension of the available opportunities to wider groups and individuals. The Vista Foundation is the primary social responsibility initiative of film industry technology company Vista Group.

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • is a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • Internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

Contact Details:

Directors & Editors Guild of NZ
Level 2, 66 Surrey Crescent, Grey Lynn
P.O. Box 47-294, Ponsonby
Auckland
+64-9-360-2102
www.degnz.co.nz
www.facebook.com/degnz
www.linkedin.com/in/degnz
@degnz_online

DEGNZ Announces Women Filmmaker Incubator

, ,

FOR IMMEDIATE RELEASE

23 May 2016

The Directors & Editors Guild of New Zealand (DEGNZ) is delighted to announce its year-long Women Filmmaker Incubator with financial assistance from the New Zealand Film Commission (NZFC).

The Incubator, launching in the second half of 2016, will comprise of five workshops designed to give up to eight emerging female directors the opportunity to build their knowledge, skills and networks as a means to advance their careers and projects in the screen industry.

“One of our goals within the NZFC’s gender policy is to encourage proposals from Guilds that support and enhance the upskilling of women in the industry,” says NZFC CEO Dave Gibson.  “This programme fits that brief perfectly and compliments our 2016 Gaylene Preston Director’s Award.”

The Incubator targets women with a track record as a director in their area of focus and the intent to make their first feature or equivalent (corresponding work in TV, web series, feature documentary or drama).  Applicants will have a project in development that has not yet been presented to a network or funder.

Each workshop in the programme will bring in highly successful filmmakers and experts in a stepped approach that will develop participants’ confidence and capability to engage with the screen industry as they seek to get their own projects through development and into production.

“We have been working for close to a year to put this initiative in place,” said DEGNZ Executive Director Tui Ruwhiu. “We are extremely thankful to NZFC for providing financial support that will enable us to help address gender inequality for women directors.”

For DEGNZ, the Women Filmmaker Incubator is its latest effort focused on turning around the poor statistics for women directors in television drama and feature film in New Zealand, which reflect the trend internationally.

A call for applications for the Incubator will be issued in June.

ENDS

For further information, please contact:

Tui Ruwhiu

Executive Director

Directors & Editors Guild of NZ

tui@degnz.co.nz

021-659-950

The New Zealand Film Commission invests in original and culturally significant films, encourages talented New Zealand filmmakers through developing career pathways and facilitating connections offshore, and works to increase the number of people seeing New Zealand films here and overseas.  It supports the growth of economic activity and helps ensure New Zealand has sustainable screen sector businesses operating within an internationally competitive screen sector.  The NZFC also helps negotiate co-production treaties and certifies co-productions and New Zealand films for tax purposes. www.nzfilm.co.nz

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • is a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • Internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

Contact Details:

Directors & Editors Guild of NZ

Level 2, 66 Surrey Crescent

Grey Lynn

P.O. Box 47-294, Ponsonby

Auckland

+64-9-360-2102

admin@degnz.co.nz

www.degnz.co.nz

www.facebook.com/degnz

www.linkedin.com/in/degnz

@degnz_online