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Brendon Chan has been selected as the attachment to editor Peter Roberts on feature film Juniper as part of the Directors & Editors Guild of NZ’s ongoing Drama Editor Attachment Scheme.

Brendon ChanBrendon entered post production in 2010 as an assistant editor, where he worked on feature films, such as Born to Dance, Hunt for the Wilderpeople and Black Christmas.

He made the leap to editing full time in 2017, working across a broad range of television, web and film content. His work includes Associate Editor on Turbo Kid, Additional Editor on 6 Days and Assembly Editor on Do No Harm.

I’m really stoked about being selected for the drama attachment. I’m looking forward to closely examining the feature film editing process from assembly to locked cut, particularly the creative collaborations that take place between Editors, Directors and Producers,” said Brendon. “I’m also excited to observe Peter’s very genuine approach to storytelling and collaboration up close.”

Brendon begins his attachment in February.

The DEGNZ Drama Editor Attachment Scheme was initiated to give emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor. Recipients learn through attendance during editing and later, at director, producer and/or funding body screenings, about the critique and response process so vital to the successful creative collaboration required of the feature film editor. The scheme is made possible thanks to funding from the New Zealand Film Commission.

Juniper is directed by Matthew Saville, produced by Desray Armstrong and Angela Littlejohn and edited by Peter Roberts. On returning home from boarding school, a self-destructive teenager discovers his gin-soaked grandmother has moved in. A battle of wills ensues which enables him to embrace life again, and her to face her own mortality.

DEGNZ is excited to be able to offer a third member of the Guild a Drama Editor Attachment on a New Zealand feature-length film. Previous attachment recipients are Rotorua-based editor Lea McLean who is currently completing her attachment to Annie Collins on Coming Home in the Dark, and Anastasia Doniants to editor Paul Sutorius on telefeature A War Story.

Tom Eagles

The Directors & Editors Guild of NZ congratulates New Zealand editor Tom Eagles for his Oscar and BAFTA nominations for best editing on Jojo Rabbit.

Eagles is nominated in the same Oscar category as The Irishman, Joker, Parasite and Ford v Ferrari. Other films nominated for the BAFTA are Once Upon a Time… In Hollywood, Le Mans ’66 (Ford v Ferrari), Joker and The Irishman. 

An alumnus of DEGNZ’s International Editor Mentorships, Eagles was mentored by award-winning Australian editor Dany Cooper in 2016 after completing Hunt for the Wilderpeople. The mentorship offered genuine insight into creative process and engagement with the industry as a whole, while providing a solid platform upon which the recipient could build an international career.

Jojo Rabbit is nominated for six Oscars, including Best Picture, and six BAFTAs.

Jennifer Baichwal image

Directors & Editors Guild of NZ (DEGNZ) invites applications from experienced documentary directors with at least one documentary feature with festival success and a documentary project in development to apply for an International Director’s Mentorship with multiple award-winning Canadian documentary filmmaker Jennifer Baichwal.

Jennifer co-founded Toronto-based Mercury Films Inc. with Nick de Pencier. For over 20 years, the pair has been making award-winning, critically acclaimed documentaries that have played all over the world.

Jennifer is currently starting production on her latest feature documentary Anthropocene,the third in a trilogy of feature documentaries preceeded by Watermark (2014) andManufactured Landscapes (2006). Anthropocene follows an international group of geologists who want to change the name of our present interglacial epoch, Holocene, toAnthropocene in recognition of human impact.

The International Director’s Mentorship is designed to assist a director with project development, career planning, creative relationships, new practices in audience engagement, and relationships with producers and agents.

The mentorship will allow for a visit from Jennifer to New Zealand to spend up to two days working with the mentee on their submitted project, and 20 – 30 hours of mentoring time via Skype or phone across a six-month period.

At a later mutually agreed date, the mentee will be encouraged to fly to wherever Jennifer is working to meet and observe.

The overall intention of the mentorship is to inspire a NZ director, demystify the international film industry and offer genuine insight into creative process and engagement with the industry as a whole, while providing a solid platform upon which to build an international career.

To apply, please provide:

  1. A maximum one-page letter about why you should be chosen and what you hope to gain from the mentorship.
  2. A maximum one-page document outlining the documentary concept you wish to apply with.
  3. Up to 3 examples online of past work (not showreel).

A panel including Jennifer will select the successful applicant. An interview may be required.

Only FULL DEGNZ members may apply. If you are not a member and wish to join, you can do so here: www.degnz.co.nz/join/
 
Applications should be submitted electronically to admin@degnz.co.nz no later than9AM, 30 November 2015.

This initiative is brought to you with the support of the New Zealand Film Commission.